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Structural Design Via Optimality Criteria The Prager Approach to Structural Optimization (Mechanics of Elastic and Inelastic Solids) Kluwer Academic Pub? G. I. N. Rozvany? KluwerAcademicPub? G.I.N.Rozvany? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Structural? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Structural? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-ProfessionalScience-Physics-Mechanics? Subjects-Science-General Subjects-Science-Physics-Mechanics? Methodological Aspects And Cultural Issues Peter Lang? Massimo Negrotti? PeterLang? MassimoNegrotti? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Reference? Substores-UnknownASINs-52? Subjects-Engineering-General? 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ACTE II 6. Choeur （Un site pittoresque aux environs de Naples. Dans le fond, la mer. Des pêcheurs sont occupés à préparer leurs filets et leurs nacelles; d'autres se livrent à différents jeux. Borella, Pêcheurs） ▼LE CHOEUR▲ Amis, le soleil va paraître, Livrons-nous à des soins nouveaux; Employons bien le jour qui va renaître, Et par les jeux égayons nos travaux. （Masaniello entre.） Masaniello paraît quel sombre ennui l'accable Qui l'afflige, amis? ▼BORELLA▲ Notre sort misérable. （A Masaniello） Salut à notre chef! ▼MASANIELLO▲ Salut, chers compagnons. ▼BORELLA▲ Viens animer nos jeux par tes chansons. ▼MASANIELLO▲ （à part） Pietro ne revient pas. ▼BORELLA▲ Plus de sombre nuage! Tes refrains nous donnent du coeur; Et tu le sais, il nous faut du courage. ▼MASANIELLO▲ Eh bien! Répétez donc le refrain du pêcheur, Et comprenez bien son langage. 7. Barcarolle ▼MASANIELLO▲ Amis, la matinée est belle, Sur le rivage assemblez-vous; Montez gaiement votre nacelle, Et des vents bravez le courroux. Conduis ta barque avec prudence, Pêcheur, parle bas; Jette tes filets en silence; Pêcheur, parle bas; Le roi des mers ne t'échappera pas. ▼LE CHOEUR▲ Conduis ta barque avec prudence, Pêcheur, parle bas; Jette tes filets en silence; Pêcheur, parle bas; Le roi des mers ne t'échappera pas. ▼MASANIELLO▲ L'heure viendra, sachons l'attendre, Plus tard nous saurons la saisir. Le courage fait entreprendre, Mais l'adresse fait réussir. Conduis ta barque avec prudence, Pêcheur, parle bas; Jette tes filets en silence; Pêcheur, parle bas; Le roi des mers ne t'échappera pas. ▼LE CHOEUR▲ Conduis ta barque avec prudence, Le roi des mers ne t'échappera pas. （Pietro entre.） ▼MASANIELLO▲ Mais j'aperçois Pietro; ciel! Que va-t-il m'apprendre? （Le prenant à part, et l'amenant au bord de la scène pendant que les pêcheurs s'éloignent et retournent à leurs travaux.） Personne ici ne connaît mon malheur Je ne l'ai confié qu'à l'ami le plus tendre. Parle, as-tu découvert le destin de ma soeur? ▼PIETRO▲ De Fenella le sort est encore un mystère; Vainement j'ai cherché la trace de ses pas; Sans doute un ravisseur… ▼MASANIELLO▲ O rage! et moi son frère, Je n'ai pu la sauver! Mais de tels attentats, Recevront à la fin leur juste récompense. ▼PIETRO▲ Que te reste-t-il? ▼MASANIELLO▲ La vengeance! Mieux vaut mourir que rester misérable! Pour un esclave est-il quelque danger? Tombe le joug qui nous accable, Et sous nos coups périsse l'étranger! Me suivras-tu? ▼PIETRO▲ Je m'attache à tes pas, Je veux te suivre à la mort… ▼MASANIELLO▲ A la gloire! ▼PIETRO▲ Soyons unis par le même trépas. ▼MASANIELLO▲ Ou couronnés par la même victoire. ▼PIETRO▲ Oui, oui, partons, je suivrais tes pas. 8. Duo ▼MASANIELLO, PIETRO▲ Mieux vaut mourir que rester misérable! Pour un esclave est-il quelque danger? Tombe le joug qui nous accable, Et sous nos coups périsse l'étranger! Amour sacré de la patrie, Rends-nous l'audace et la fierté; A mon pays je dois la vie. Il me devra sa liberté. ▼PIETRO▲ Songe au pouvoir dont l'abus nous opprime. ▼MASANIELLO▲ Songe à ma soeur arrachée à mes bras! ▼PIETRO▲ D'un séducteur peut-être elle est la victime. ▼MASANIELLO▲ Ah! quel qu'il soit, je jure son trépas! ▼MASANIELLO, PIETRO▲ Plutôt mourir que rester misérable! etc. （En ce moment Fenella paraît sur le haut du rocher elle regarde la mer, en évalue la profondeur, et semble prête à s'y précipiter.） ▼MASANIELLO▲ Que vois-je? Fenella! Quoi! Ma soeur en ces lieux! （Fenella tourne la tête à ce cri, aperçoit son frère, et descend vivement des rochers.） ▼MASANIELLO▲ （à Pietro） Le ciel nous entendait, il exauce nos voeux. （Fenella est descendue et se jette dans les bras de son frère.） ▼MASANIELLO▲ Je n'ose encore en croire ma tendresse? C'est bien toi que dans mes bras je presse? Quel motif inconnu te sépara de moi? （Fenella lui fait signe qu'elle le lui dira, mais à lui seul. Pietro s'éloigne.） ▼MASANIELLO▲ Eh bien! nous voilà seuls. （Fenella lui exprime son désespoir, et lui avoue que sa première intention était de se précipiter dans la mer et de mettre fin à son existence.） ▼MASANIELLO▲ Attenter à la vie! Grand Dieu! （Mais Fenella n'a pas voulu mourir avant de le revoir, de l'embrasser, de recevoir son pardon.） ▼MASANIELLO▲ Mon pardon! et pourquoi? （Fenella lui fait entendre qu'elle ne mérite plus sa tendresse, elle lui peint ses remords… Elle s'est donnée à un perfide.） ▼MASANIELLO▲ O ciel! un séducteur!… Qu'il craigne ma furie! （Fenella lui fait signe qu'il devait être son époux, qu'il le lui avait juré à la face du ciel, qu'elle a cru son serment.） ▼MASANIELLO▲ Le lâche, quel est-il? Un espagnol, peut-être? （Fenella répond oui, mais elle ne veut pas le faire connaître; malgré son crime elle l'aime encore, et pour l'épouser il est d'un rang trop élevé.） ▼MASANIELLO▲ Ah! quel que soit son rang, Peut-il se dispenser de tenir son serment; Fenella, je veux le connaître. （Fenella le dit qu'il est fiancée） Eh bien donc! Malgré toi, je punirai le traître. Oui, que ce jour me soit ou non fatal, Il faut armer le peuple et donner le signal. En vain tu veux calmer Le courroux qui me guide, Je saurai malgré toi découvrir le perfide. 9. Finale （Fenella cherche inutilement à calmer son frère, et s'attache à lui au moment où il court appeler ses compagnons.） ▼MASANIELLO▲ （appelant les pêcheurs） Venez, amis, venez Venez partager mes transports Contre nos ennemis unissons nos efforts. Chacun à ces tyrans Doit compte d'une offense; Et moi plus que vous tous! Courons à la vengeance! ▼LE CHOEUR▲ Nous partageons ton fier ressentiment; De t'obéir nous faisons le serment! Contre nos ennemis Unissons nos efforts. ▼MASANIELLO▲ Du silence, de la prudence. （Les femmes et les enfants entrent en scène. Sur un geste de Masaniello, Fenella va rejoindre ses compagnes.） Que ces enfants, que ces femmes craintives Ne sachent rien de nos secrets, Et, pour mieux cacher nos projets, Chantons gaiement la barcarolle, Charmons ainsi nos courts loisirs. L'amour s'enfuit, s'envole; Le temps emporte nos plaisirs. ▼LE CHOEUR▲ Chantons gaiement la barcarolle, Charmons ainsi nos courts loisirs. L'amour s'enfuit, s'envole; Le temps emporte nos plaisirs. Chantons la barcarolle, Charmons ainsi nos courts loisirs. Contre nos ennemis, unissons nos efforts. Chacun à ces tyrans Doit compte d'une offense. De t'obéir nous faisons le serment! （Pietro entre.） ▼MASANIELLO▲ Que veux-tu? ▼PIETRO▲ （à voix basse） De soldats un corps nombreux s'avance, Et de Naples à nos pas ils ferment le chemin ▼BORELLA▲ Oui, des tambours annonçant leur présence J'entends déjà le roulement lointain. ▼LE CHOEUR▲ Oui, l'on entend le roulement lointain. ▼MASANIELLO▲ Ne craignez point, Trompons leur surveillance En répétant notre refrain. Chantons gaiement la barcarolle Charmons ainsi nos courts loisirs. L'amour s'enfuit, s'envole, Le temps emporte nos plaisirs. ▼LE CHOEUR▲ Chantons gaiement la barcarolle, Charmons ainsi nos courts loisirs; L'amour s'enfuit, s'envole Le temps emporte nos plaisirs. ▼MASANIELLO▲ （à voix basse à Borella） Pour cacher des poignards disposez vos filets. ▼PIETRO▲ （de même à quelques autres） Parmi ces fruits que chacun cache une arme. ▼MASANIELLO▲ （de même） Soulevez-vous au premier cri d'alarme, Au premier signal soyez prêts. ▼LE CHOEUR▲ （à voix basse） A Naples! A Naples! Au premier cri d'alarme, Pour combattre nous serons prêts. ▼MASANIELLO, PIETRO, LE CHOEUR▲ Au premier signal, Au premier cri d'alarme, Pour combattre oui, nous serons prêts. ▼MASANIELLO▲ De la prudence! ▼LE CHOEUR▲ Chantons gaiement la barcarolle, Charmons ainsi nos courts loisirs; L'amour s'enfuit, s'envole; Le temps emporte nos plaisirs Pour combattre nous serons forts Contre nos ennemis Unissons nos efforts. ▼MASANIELLO▲ Venez amis partager mes efforts. ▼LE CHOEUR▲ Oui, nous partageons ton ressentiment, De t'obéir nous faisons le serment, etc. （Les uns reprennent leurs filets, et les autres montent sur les nacelles; les femmes placent des paniers de fruits sur leur tête; tous s'éloignent et disparaissent en répétant le refrain.） ACTE II 6. Choeur Un site pittoresque aux environs de Naples. Dans le fond, la mer. Des pêcheurs sont occupés à préparer leurs filets et leurs nacelles; d'autres se livrent à différents jeux. Borella, Pêcheurs LE CHOEUR Amis, le soleil va paraître, Livrons-nous à des soins nouveaux; Employons bien le jour qui va renaître, Et par les jeux égayons nos travaux. Masaniello entre. Masaniello paraît quel sombre ennui l'accable Qui l'afflige, amis? BORELLA Notre sort misérable. A Masaniello Salut à notre chef! MASANIELLO Salut, chers compagnons. BORELLA Viens animer nos jeux par tes chansons. MASANIELLO à part Pietro ne revient pas. BORELLA Plus de sombre nuage! Tes refrains nous donnent du coeur; Et tu le sais, il nous faut du courage. MASANIELLO Eh bien! Répétez donc le refrain du pêcheur, Et comprenez bien son langage. 7. Barcarolle MASANIELLO Amis, la matinée est belle, Sur le rivage assemblez-vous; Montez gaiement votre nacelle, Et des vents bravez le courroux. Conduis ta barque avec prudence, Pêcheur, parle bas; Jette tes filets en silence; Pêcheur, parle bas; Le roi des mers ne t'échappera pas. LE CHOEUR Conduis ta barque avec prudence, Pêcheur, parle bas; Jette tes filets en silence; Pêcheur, parle bas; Le roi des mers ne t'échappera pas. MASANIELLO L'heure viendra, sachons l'attendre, Plus tard nous saurons la saisir. Le courage fait entreprendre, Mais l'adresse fait réussir. Conduis ta barque avec prudence, Pêcheur, parle bas; Jette tes filets en silence; Pêcheur, parle bas; Le roi des mers ne t'échappera pas. LE CHOEUR Conduis ta barque avec prudence, Le roi des mers ne t'échappera pas. Pietro entre. MASANIELLO Mais j'aperçois Pietro; ciel! Que va-t-il m'apprendre? Le prenant à part, et l'amenant au bord de la scène pendant que les pêcheurs s'éloignent et retournent à leurs travaux. Personne ici ne connaît mon malheur Je ne l'ai confié qu'à l'ami le plus tendre. Parle, as-tu découvert le destin de ma soeur? PIETRO De Fenella le sort est encore un mystère; Vainement j'ai cherché la trace de ses pas; Sans doute un ravisseur… MASANIELLO O rage! et moi son frère, Je n'ai pu la sauver! Mais de tels attentats, Recevront à la fin leur juste récompense. PIETRO Que te reste-t-il? MASANIELLO La vengeance! Mieux vaut mourir que rester misérable! Pour un esclave est-il quelque danger? Tombe le joug qui nous accable, Et sous nos coups périsse l'étranger! Me suivras-tu? PIETRO Je m'attache à tes pas, Je veux te suivre à la mort… MASANIELLO A la gloire! PIETRO Soyons unis par le même trépas. MASANIELLO Ou couronnés par la même victoire. PIETRO Oui, oui, partons, je suivrais tes pas. 8. Duo MASANIELLO, PIETRO Mieux vaut mourir que rester misérable! Pour un esclave est-il quelque danger? Tombe le joug qui nous accable, Et sous nos coups périsse l'étranger! Amour sacré de la patrie, Rends-nous l'audace et la fierté; A mon pays je dois la vie. Il me devra sa liberté. PIETRO Songe au pouvoir dont l'abus nous opprime. MASANIELLO Songe à ma soeur arrachée à mes bras! PIETRO D'un séducteur peut-être elle est la victime. MASANIELLO Ah! quel qu'il soit, je jure son trépas! MASANIELLO, PIETRO Plutôt mourir que rester misérable! etc. En ce moment Fenella paraît sur le haut du rocher elle regarde la mer, en évalue la profondeur, et semble prête à s'y précipiter. MASANIELLO Que vois-je? Fenella! Quoi! Ma soeur en ces lieux! Fenella tourne la tête à ce cri, aperçoit son frère, et descend vivement des rochers. MASANIELLO à Pietro Le ciel nous entendait, il exauce nos voeux. Fenella est descendue et se jette dans les bras de son frère. MASANIELLO Je n'ose encore en croire ma tendresse? C'est bien toi que dans mes bras je presse? Quel motif inconnu te sépara de moi? Fenella lui fait signe qu'elle le lui dira, mais à lui seul. Pietro s'éloigne. MASANIELLO Eh bien! nous voilà seuls. Fenella lui exprime son désespoir, et lui avoue que sa première intention était de se précipiter dans la mer et de mettre fin à son existence. MASANIELLO Attenter à la vie! Grand Dieu! Mais Fenella n'a pas voulu mourir avant de le revoir, de l'embrasser, de recevoir son pardon. MASANIELLO Mon pardon! et pourquoi? Fenella lui fait entendre qu'elle ne mérite plus sa tendresse, elle lui peint ses remords… Elle s'est donnée à un perfide. MASANIELLO O ciel! un séducteur!… Qu'il craigne ma furie! Fenella lui fait signe qu'il devait être son époux, qu'il le lui avait juré à la face du ciel, qu'elle a cru son serment. MASANIELLO Le lâche, quel est-il? Un espagnol, peut-être? Fenella répond oui, mais elle ne veut pas le faire connaître; malgré son crime elle l'aime encore, et pour l'épouser il est d'un rang trop élevé. MASANIELLO Ah! quel que soit son rang, Peut-il se dispenser de tenir son serment; Fenella, je veux le connaître. Fenella le dit qu'il est fiancée Eh bien donc! Malgré toi, je punirai le traître. Oui, que ce jour me soit ou non fatal, Il faut armer le peuple et donner le signal. En vain tu veux calmer Le courroux qui me guide, Je saurai malgré toi découvrir le perfide. 9. Finale Fenella cherche inutilement à calmer son frère, et s'attache à lui au moment où il court appeler ses compagnons. MASANIELLO appelant les pêcheurs Venez, amis, venez Venez partager mes transports Contre nos ennemis unissons nos efforts. Chacun à ces tyrans Doit compte d'une offense; Et moi plus que vous tous! Courons à la vengeance! LE CHOEUR Nous partageons ton fier ressentiment; De t'obéir nous faisons le serment! Contre nos ennemis Unissons nos efforts. MASANIELLO Du silence, de la prudence. Les femmes et les enfants entrent en scène. Sur un geste de Masaniello, Fenella va rejoindre ses compagnes. Que ces enfants, que ces femmes craintives Ne sachent rien de nos secrets, Et, pour mieux cacher nos projets, Chantons gaiement la barcarolle, Charmons ainsi nos courts loisirs. L'amour s'enfuit, s'envole; Le temps emporte nos plaisirs. LE CHOEUR Chantons gaiement la barcarolle, Charmons ainsi nos courts loisirs. L'amour s'enfuit, s'envole; Le temps emporte nos plaisirs. Chantons la barcarolle, Charmons ainsi nos courts loisirs. Contre nos ennemis, unissons nos efforts. Chacun à ces tyrans Doit compte d'une offense. De t'obéir nous faisons le serment! Pietro entre. MASANIELLO Que veux-tu? PIETRO à voix basse De soldats un corps nombreux s'avance, Et de Naples à nos pas ils ferment le chemin BORELLA Oui, des tambours annonçant leur présence J'entends déjà le roulement lointain. LE CHOEUR Oui, l'on entend le roulement lointain. MASANIELLO Ne craignez point, Trompons leur surveillance En répétant notre refrain. Chantons gaiement la barcarolle Charmons ainsi nos courts loisirs. L'amour s'enfuit, s'envole, Le temps emporte nos plaisirs. LE CHOEUR Chantons gaiement la barcarolle, Charmons ainsi nos courts loisirs; L'amour s'enfuit, s'envole Le temps emporte nos plaisirs. MASANIELLO à voix basse à Borella Pour cacher des poignards disposez vos filets. PIETRO de même à quelques autres Parmi ces fruits que chacun cache une arme. MASANIELLO de même Soulevez-vous au premier cri d'alarme, Au premier signal soyez prêts. LE CHOEUR à voix basse A Naples! A Naples! Au premier cri d'alarme, Pour combattre nous serons prêts. MASANIELLO, PIETRO, LE CHOEUR Au premier signal, Au premier cri d'alarme, Pour combattre oui, nous serons prêts. MASANIELLO De la prudence! LE CHOEUR Chantons gaiement la barcarolle, Charmons ainsi nos courts loisirs; L'amour s'enfuit, s'envole; Le temps emporte nos plaisirs Pour combattre nous serons forts Contre nos ennemis Unissons nos efforts. MASANIELLO Venez amis partager mes efforts. LE CHOEUR Oui, nous partageons ton ressentiment, De t'obéir nous faisons le serment, etc. Les uns reprennent leurs filets, et les autres montent sur les nacelles; les femmes placent des paniers de fruits sur leur tête; tous s'éloignent et disparaissent en répétant le refrain. Auber,François/La Muette de Portici/III
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ACTE I Le théâtre représente une sorte de hangar, ouvert sur un village; à droite, la porte d entrée de la salle commune des voyageurs; à gauche, celle du logement de la maîtresse d auberge, au-dessus de cette porte, une fenêtre avec un petit balcon rustique en saillie; dans le fond on aperçoit à droite une boutique de charron. N° 1. LE CHŒUR Le joli mariage! Enfin ils sont unis! Tous leurs vœux sont remplis! Le joli mariage! L amour seul les engage, Le joli mariage! Enfin ils sont unis! Le joli mariage! L amour seul les engage, Le joli mariage! Pour eux plus de soucis. Le joli mariage! L amour seul les engage, Le joli mariage! Enfin ils sont unis, Pour eux, pour eux plus de soucis. Non, désormais plus de soucis, CHAPELOU Quel bonheur pour mon âme, Je peux donc aujourd hui L appeler ma p tite femme! MADELEINE Te nommer mon mari! CHAPELOU Ma chère femme, ma chère femme! MADELEINE Mon cher mari, mon cher mari! CHAPELOU Ah! quel plaisir! Que c est gentil, ma chère femme! MADELEINE Mon cher mari! MADELEINE, CHAPELOU, LE CHŒUR Ah! quel plaisir! Que c est gentil, le joli mariage, L amour seul nous engage, Le joli mariage! Nous voilà donc unis! etc. MADELEINE Je veux dans ton ménage Toujours te rendre heureux! CHAPELOU Femme gentille et sage Doit combler tous mes vœux! LE CHŒUR Voyez! voyez! qu ils sont heureux! MADELEINE Je veux toujours te rendre heureux! CHAPELOU Tu vas combler tous mes vœux, Ma chère femme! MADELEINE Mon cher mari! ah! quel plaisir! CHAPELOU Que c est gentil ! MADELEINE Mon petit mari, mon petit mari, Ah ! mon petit mari ! Air Mon petit mari, Tu seras chéri ; Pour toi seul je serai jolie! Ah ! pouvoir d un cœur Partager l ardeur De la vie C est le bonheur! Aux galants toujours rebelle, Te gardant ma foi, Je n aime que toi ! Je jure d être fidèle; Moque-toi des sots Et de leurs propos, En homme de bien N en crois jamais rien. Car dans nos amours Je dirai toujours Mon petit mari, tu seras chéri Pour toi seul je serai jolie! Ah ! pouvoir d un cœur Partager l ardeur ! De la vie c est le bonheur! etc. CHAPELOU Maintenant, à la danse, Amis, que l on s élance. MADELEINE Entendez-vous du bal Le vif et gai signal? LE CHŒUR A la danse, à la danse, Allons que l on s élance! Entendez-vous du bal Le vif et gai signal? LES PAYSANNES Avec nous venez vite! LES PAYSANS Madame! je vous invite! MADELEINE Merci, messieurs, vraiment! CHAPELOU La contredanse vous réclame. Nous y viendrons dans un instant. Mais, mes amis, avec ma femme, Laissez moi causer un instant. Allez! MADELEINE Vite au son des musettes, Allez, courez tous, Courez en dansant, Les fillettes trouveront un époux! LE CHŒUR Vite au son des musettes, Allons, amusons-nous, En dansant, Les fillettes trouveront un époux! J entends du bal Le gai signal ! (Les paysans sortent par le fond) CHAPELOU Eh bien! ma bonne Madeleine, te v là Madame Chapelou, la femme du premier postillon de la poste de Lonjumeau, ça flatte l amour propre d une jeunesse... hein! méchante? MADELEINE C est bon, Monsieur le joli cœur. Vous êtes fier comme un paon ! CHAPELOU Écoute donc, Madeleine... sais-tu que j étais joliment couru des jeunes filles?... quand je pense à va... j en ai-t-y enjôlé de ces femmes!... J en ai-t y croqué de ces poulettes ! ... MADELEINE Oui; mais maintenant, vous ne croquerez que moi..mauvais sujet ! ... CHAPELOU Ah! c est vrai!..il faut dire bonsoir à la vie de garçon ... (il soupire) ah! MADELEINE Mais... Est-ce que vous ne m aimeriez plus, Monsieur?... moi, qui vous ai fait tant de sacrifices.... j ai encore reçu une lettre de ma tante... cette bonne tante qui est allée s établir à l Île-de-France, et qui veut absolu-ment que j’aille la rejoindre... CHAPELOU Ah ça! est-ce que décidément elle a fait fortune là-bas, la digne femme? MADELEINE Je crois bien!... une fortune de duchesse!... et tout ça j y renonce pour épouser Monsieur, qui se permet de soupirer... mais qu est-ce qui vous tracasse... voyons?... CHAPELOU Eh! bien, tiens, Madeleine, tu vas tout savoir... tu as entendu parler de la mère Grabille?... MADELEINE La vieille sorcière du village?... CHAPELOU Juste ... savante femme! . . . j ai été la consulter sur notre mariage. MADELEINE Oh! comme ça se rencontre !...tu sais, le père Gaspard?.. CHAPELOU Le vieux berger... le petit bossu? MADELEINE Oui, je l ai consulté de mon côté sur notre union... CHAPELOU Voyez-vous ça ! ... N° 2. Duo MADELEINE, CHAPELOU Quoi, tous les deux! Qui l aurait cru? Ah! l aventure est singulière! MADELEINE Parle vite... Chez la sorcière, Dis-moi ce qu on t a répondu. CHAPELOU Voilà, voilà, ce qu on m a répondu Se démenant comme un vrai diable, Après avoir lu dans ma main, Elle a dit que j étais aimable, Et surtout fort malin. Que jamais, grâce à ma finesse, Je ne pourrai être attrapé, Que par ma femme ou ma maîtresse, Je ne serai jamais trompé... MADELEINE (riant) Jamais trompé?... CHAPELOU Jamais trompé! MADELEINE Ta sorcière est une ignorante, Vraiment, qui ne sait rien de rien. CHAPELOU C est une femme fort savante J en réponds, elle parle fort bien. MADELEINE Enfin, de notre mariage, Que pense-t-elle? Réponds-moi. CHAPELOU Elle m a dit qu en ce village J avais tort d engager ma foi... MADELEINE Mais c est fort mal! CHAPELOU Elle a dit aussi qu à la ville M attendait le plus grand bonheur Qu il me serait bientôt facile, A Paris, de vivre en seigneur, MADELEINE En seigneur? CHAPELOU En seigneur! Bref, pour parler avec franchise Elle m a dit qu en t épousant, Je fais... non, non, je n ose pas... MADELEINE Allons... parle! CHAPELOU ... Je fais une bêtise! MADELEINE (avec colère) Qu entends-je? Ah! c est affreux vraiment, Cet oracle est trop insolent! CHAPELOU (s approchant) Apaise ton ressentiment. Ce n est pas sa faute vraiment Si dans le livre du destin Elle a lu cela ce matin. MADELEINE Ah! quelle impudence! Quelle impertinence! Oui, son ignorance Veut une leçon. Maudite sorcière, Méchante vipère L on devrait te faire Mourir en prison! Maudite sorcière Méchante vipère! etc. CHAPELOU Si par sa science Elle peut d avance Avec assurance Prévoir l avenir, En vain la colère Ici t exaspère; La pauvre sorcière, Pourquoi la punir? La colère égare ta raison, Allons, rappelle ta raison! Maintenant, à ton tour, ma chère, C est à moi de t interroger, Je veux savoir tout le mystère. C est à moi de t interroger, Que t a répondu le berger? MADELEINE Il m a dit que dans ce village Si je voulais donner ma foi Je pourrais, pour le mariage, Trouver, mon cher, bien mieux que toi! CHAPELOU (avec suffisance) Bien mieux que moi? MADELEINE Bien mieux que toi! CHAPELOU Ton sorcier n est qu un imbécile Qui, vraiment, ne sait rien de rien! MADELEINE Ah! c est un homme fort habile; J en réponds, il parle fort bien. Il prétend que ton caractère Rendra notre hymen malheureux, Que loin de chercher à me plaire, Bientôt tu trahiras nos feux, Et que tu n es qu un vaniteux... Et surtout un ambitieux! CHAPELOU (se récriant) Il dit que je suis vaniteux? MADELEINE Bref, pour parler avec franchise Il m a juré qu en t épousant Je fais... CHAPELOU Quoi donc? MADELEINE Non, non, je n ose pas... CHAPELOU Allons donc, parle! MADELEINE Je fais une bêtise. CHAPELOU (avec colère) Qu entends-je! Ah! c est affreux, vraiment! Cet oracle est trop insolent! MADELEINE Apaise ton ressentiment. Ce n est pas sa faute vraiment Si dans le livre du destin Il a lu cela ce matin. CHAPELOU Ah! quelle impudence! Quelle impertinence! Oui, son ignorance Veut une leçon. Ah! crains ma colère Méchante vipère; L on devrait te faire Mourir en prison! MADELEINE Si par sa science Il peut à l avance Avec assurance Prévoir l avenir, En vain la colère Ici t exaspère, On ne peut j espère Vouloir le punir. La colère égare ta raison, Allons, appelle ta raison! MADELEINE Chapelou, aux sorciers, Vraiment il a foi! CHAPELOU Moi? ah! non! Je n y crois pas plus que toi! MADELEINE Entre nous deux, Allons, plus de mages Je veux t aimer toujours, Je te le jure ici. CHAPELOU Je ne croirai jamais A de fâcheux messages. Je veux être pour toi Le plus tendre mari. ENSEMBLE Ah! quel doux avenir! Rien ne pourra nous désunir. Allons, ne redoutons plus rien, Chez nous, toujours, tout ira bien. (A la fin de l ensemble, Chapelou embrasse Madeleine. Biju entre par le fond à droite). BIJU (en habit de travail de forgeron, entrant) Très bien...il parait que vous êtes pressés..allez votre train... ne vous gênez pas... CHAPELOU (à Biju) Dis donc Biju pendant que j y pense, pourquoi qu on ne t a pas vu à ma noce, toi? BIJU (avec humeur) Parce que j étais à ma forge... MADELEINE Et parce qu il est jaloux de voir le bonheur d un rival, n est-ce pas, Monsieur Biju? CHAPELOU Ah! c est vrai, je crois qu il te faisait un petit doigt de cour, Madeleine?... BIJU Je lui faisais bien une cour tout entière...sans compter quelle ne me voyait pas d un mauvais œil! ... MADELEINE Oh! si l on peut dire!.. faiseur d histoires!... CHAPELOU (à Biju) Allez, sans rancune...je ne t en veux pas...j ai même un petit service à te demander... BIJU Voyons voir... CHAPELOU Voilà...tous les postillons sont en course, et, s il arrive ce soir un voyageur, il n y a pas à dire, il faudra que je mette les bottes. BIJU Eh ben!... CHAPELOU Eh ben! quand on se marie, on a autre chose à faire que de galoper, la nuit, sur la grand-route...Alors, tu auras la complaisance de me remplacer, en cas de besoin.... hein? MADELEINE Ainsi, c est convenu... nous pouvons compter sur vous, voisin?... BIJU Comment donc! pouvez compter... sur rien du tout.. CHAPELOU Tu refuses?... BIJU Tout net... et je ne demande plus qu une chose... c est qu il vienne un voyageur... CHAPELOU Ah! j espère bien tout le contraire... et j ai lieu de croire (on entend du bruit au fond). Qu est-ce que c est que ça? LE MARQUIS (dans la coulisse) Maudit postillon!... holà! quelqu un? BIJU (avec joie) Un voyageur! MADELEINE (avec tristesse) Un voyageur! CHAPELOU (avec dépit) Un voyageur! que le diable l emporte! BIJU (se frottant les mains) Fameux! fameux! Dis donc, Chapelou; veux-tu que je t ai- de à mettre tes bottes?... LE MARQUIS (entrant par le fond) Malotru de postillon!... qui se permet de me verser, moi le Marquis de Corcy, gentilhomme de la chambre du roi!.. Y a-t-il un charron dans ce village? BIJU (s avançant) Un charron? présent! LE MARQUIS Une roue de ma chaise vient de se briser...peux-tu me la raccommoder? BIJU Oui, mon prince (regardant Chapelou) Dans une heure vous pourrez vous remettre en route... CHAPELOU (tristement à Madeleine) Rien qu une heure, Madeleine... MADELEINE (à demi-voix) Laisse-moi faire..(au marquis) Si Monsieur en attendant, voulait se rafraîchir, nous avons un petit vin qui n est pas méchant. LE MARQUIS(brusquement) Je n ai pas soif; je ne veux qu une chambre où je puisse attendre en repos que ma chaise soit réparée. MADELEINE (désignant la porte à droite) Entrez là, Monsieur; vous y serez bien à votre aise... CHAPELOU (à Madeleine) Et nous, allons rejoindre les amis! MADELEINE Oui, oui! (faisant la révérence au Marquis) Votre servante, Monsieur... (La nuit vient par degrés) LE MARQUIS (seul) Maladroit postillon! Interrompre un voyage d une si haute importance!... un voyage ordonné par sa majesté Louis le Quinzième. Je vivrais cent ans que les paroles royales ne sortiraient pas de ma mémoire... « Comment, Marquis de Corcy, nous n aurons pas Castor et Pollux à Fontainebleau!... - Hélas! non, sire... Jéliote, qui devait jouer Castor, s est fait enlever par une duchesse, et Legros, sa doublure, a pris un coup d air en dînant au Port à l Anglais. - Et vous n avez pas un autre Castor à mettre à la place?...- Pas le moindre Castor, sire... il y a de quoi en perdre la tête!...- A quoi diable sert-il donc de vous avoir donné l intendance de nos menus plaisirs? Faites des élèves, Monsieur, cherchez des voix... - Et je cherche des voix...si sa majesté croit que c est facile... (On entend la ritournelle du chœur suivant) Allons, encore ces paysans, la gaîté du peuple m est fastidieuse. (il entre dans la chambre à droite). N° 3. Morceau d ensemble et Ronde du Postillon LE CHŒUR Jeunes époux, Voici l heure fortunée, Où l hyménée A des instants si doux. CHAPELOU Mes amis, je vous remercie, Mais déjà s avance la nuit, Et, puisque la noce est finie, Il faut se retirer sans bruit. Bonne nuit ! LES PAYSANS Bonne nuit ! LES PAYSANNES (entourant Madeleine) Un devoir ici nous réclame, Car avant de vous quitter, Au coucher de Madame, Nous devons assister. CHAPELOU Je vous suis . . . LES PAYSANNES Non ! suivant l usage... CHAPELOU Plaît-il? LES PAYSANNES ... Monsieur, il faut attendre ici! CHAPELOU (avec colère) Que le diable emporte l usage! Ensemble LES PAYSANNES (aux paysans) Il faut obéir à l usage, Ici retenez le mari ! LES PAYSANS (retenant Chapelou) Il faut obéir à l usage, Allons, retenons le mari. CHAPELOU Laissez-moi rejoindre ma femme! LES PAYSANS Tu n iras pas! Tu n iras pas! CHAPELOU Je vais me fâcher sur mon âme! LES PAYSANS Ça n y fait rien, tu n iras pas! CHAPELOU Laissez-moi rejoindre ma femme! LES PAYSANS Tu n iras pas, tu n iras pas! Allons, pour prendre patience, Sans qu on t y force, mon garçon, Allons, chante nous la romance Du jeune et galant postillon. CHAPELOU Je n ai pas le cœur aux chansons. LES PAYSANS Chante, chante, Après nous te lâcherons ! CHAPELOU Vous le jurez?... LES PAYSANS Nous le jurons Oui, nous te lâcherons! CHAPELOU Allons, en deux temps, Je commence. Ronde I Mes amis, écoutez l histoire D un jeune et galant postillon. C est véridique, on peut m en croire, Et connu de tout le canton. Quand il passait dans un village, Tout le beau sexe était ravi, Et le cœur de la plus sauvage Galopait en croupe avec lui. Oh! oh! oh! oh! qu il était beau, Le postillon de Lonjumeau! LE CHŒUR Oh! qu il est beau, qu il est beau, qu il est beau, Le postillon de Lonjumeau! II Mainte dame de haut parage, En l absence de son mari, Parfois se mettait en voyage Pour être conduite par lui, Aux procédés toujours fidèle, On savait qu adroit postillon, S il versait parfois une belle, Ce n était que sur le gazon ! Oh! oh! oh! oh! qu’il était beau, Le postillon de Lonjumeau! LE CHŒUR Oh! qu il est beau, qu il est beau, qu il est beau, Le postillon de Lonjumeau! LE MARQUIS Quelle voix ravissante! Vraiment, elle m enchante! Je trouve enfin celui Que je cherche aujourd hui. III CHAPELOU Mais pour conduire un équipage, Voilà qu un soir il est parti. Depuis ce temps, dans le village, On n entend plus parler de lui. Mais ne déplorez pas sa perte, Car de l hymen suivant la loi, La reine d une île déserte De ses sujets l a nommé roi. Oh! oh! oh! oh! qu il était beau, Le postillon de Lonjumeau! LE CHŒUR Oh! qu il est beau, qu il est beau, qu il est beau, Le postillon de Lonjumeau ! LES PAYSANNES A présent, Monsieur le mari, Vous pouvez ordonner ici. Ensemble CHAPELOU, LE CHŒUR Jeunes époux, Voici l heure fortunée Où l hyménée A des instants si doux. LE MARQUIS Un mot, mon garçon... un mot...tu me vois ravi, enchanté. . . transporté ! ... CHAPELOU Ah, quoi? LE MARQUIS Tu as le plus beau contre-ré que j ai jamais oui! CHAPELOU J ai un contre-ré... (Regardant autour de lui) Où ça?... LE MARQUIS Je t expliquerai plus tard, il s agit de m écouter. CHAPELOU J peux pas... J peux pas ... ma femme... Madeleine qui m attend... LE MARQUIS (se plaçant devant la porte, à gauche) Il s agit bien de ta femme, quand il y va pour toi de ton avenir, de ta fortune!... CHAPELOU (très étonné) Ma fortune? LE MARQUIS Oui, à cause de ton contre-ré... Écoute, te dis-je... je suis intendant des menus plaisirs de sa majesté Louis le Quinzième... CHAPELOU (voulant s en aller) C est possible...mais, vu la circonstance, je suis obligé... LE MARQUIS Quand je te dis que tu as cent mille livres dans ton gosier... CHAPELOU Dans mon gosier! ça alors. LE MARQUIS Tu ne sais pas chanter..non; mais tu as une voix timbrée flexible, admirable... je ferai de toi un artiste distingué, et dans six mois, tu débuteras au Grand-Opéra... CHAPELOU Comment ? LE MARQUIS Et tu gagneras dix mille livres par an. CHAPELOU Dix mille livres?... LE MARQUIS (il lui donne une bourse) Eh! ce n est rien cela... tu verras la cour... les princesses... Allons, allons, ne perdons pas de temps... je te le répète, songe à ta fortune, à ton avenir... N° 4. Finale LE MARQUIS A mes désirs, il faut te rendre Avec moi, vite, il faut partir! CHAPELOU Eh quoi!... Partir sans plus attendre? Non, je ne puis y consentir. LE MARQUIS Il faut partir sans plus attendre. CHAPELOU Non, je ne puis y consentir! LE MARQUIS Allons, allons, la résistance est vaine, Le bonheur t appelle à la cour. CHAPELOU Mais quitter Madeleine... Pour moi son cœur a tant d amour! LE MARQUIS Mon Dieu ! ne te mets pas en peine, Bientôt tu seras de retour... Viens! CHAPELOU Je ne puis! non... un autre jour... Demain... plus tard, La semaine prochaine... LE MARQUIS A l instant... bannis tout regret... (à part) Sa belle voix m échapperait! CHAPELOU Pour mon cœur quelle peine! Je ne puis consentir, en ce jour, A quitter Madeleine Lorsque son cœur a tant d amour! LE MARQUIS Crois en ma promesse; De la noblesse, de la richesse, Heureux favori, Captivant les âmes De toutes les femmes, Des plus nobles dames Tu seras chéri. Pour toi, quel avenir joyeux, Que de plaisirs, que de fortune! Dans tes amours, toujours heureux, Tu séduis la blonde et la brune. CHAPELOU Ah! vous allez me tenter... Je ne pourrai vous résister. LE MARQUIS Eh bien, viens! CHAPELOU Demain... LE MARQUIS Non! dans l instant! CHAPELOU Non! non! demain... LE MARQUIS Non! dans l instant! CHAPELOU Non! je ne puis... Pour mon cœur quelle peine! Je ne puis, je ne puis, en ce jour, Moi, quitter Madeleine, Lorsque son cœur a tant d amour! LE MARQUIS Oui, crois en ma promesse, De la richesse, De la noblesse, Heureux favori Captivant les âmes De toutes les femmes, Des plus nobles dames Tu seras chéri. Oui, de toutes les femmes Tu seras chéri! CHAPELOU Ah! quelle promesse! Quoi! de la richesse Et de la noblesse Heureux favori, De toutes les femmes Je serai chéri. Quoi! je serai chéri! BIJU Prince, votre voiture est prête! LE MARQUIS (à Chapelou) C est bien, c est bien, C est fort bien ! Allons! que rien ne nous arrête... Mon ami, quel bonheur pour toi! Demain, demain, quel bonheur, Demain, je te présente au roi! CHAPELOU Eh quoi! demain? LE MARQUIS Je te présente au roi... BIJU Demain il te présente au roi. CHAPELOU Oui da, mon cher, je vais chez le roi; J aurai de l or plus gros que toi. BIJU Mais expliquez-moi ce mystère. CHAPELOU Devant ce seigneur j ai chanté; De ma voix il est enchanté! BIJU Pour toi quelle chance prospère; Moi j ai de la voix, Dieu merci! Et je vais l enchanter aussi. Tra la, la, la, la, la, la!... LE MARQUIS Oh! le butor!... Finis donc, butor! Partons... BIJU (à Chapelou) Mais Madeleine... Quoi! Tu pars sans la prévenir? CHAPELOU Dis lui que je vais revenir... Ce soir... demain... la semaine prochaine... LE MARQUIS Allons, allons! il faut partir... CHAPELOU Rien ne peut plus me retenir! Allons, allons! il faut partir, Oh! quelle promesse Quoi! de la richesse Trop heureux favori. Captivant les âmes De toutes les femmes, Des plus nobles dames De toutes les femmes Je serai chéri... Allons, allons! il faut partir... Rien ne peut plus me retenir! LE MARQUIS Crois en ma promesse, Oui, de la noblesse Et de la richesse Heureux favori, Captivant les âmes De toutes les femmes Oui, bientôt, tu seras chéri!... Allons, allons! il faut partir... Rien ne peut plus te retenir! BIJU La belle promesse Quoi! de la noblesse Et de la richesse Heureux favori, Captivant les âmes De toutes les femmes Des plus nobles dames, Bientôt, il sera chéri... Comment il veut déjà partir?... Rien ne peut plus le retenir! MADELEINE Viens, viens, ma voix t appelle, Viens, viens, mon petit mari; Viens, viens, toujours fidèle, Je t attends, je t attends ici. Viens, viens! il ne vient pas! Mon mari! mon mari! BIJU Vous demandez votre mari? Ah! mais vraiment, ça me fait rire! Tenez! tenez, le v là parti. MADELEINE Comment! Comment! Que veux-tu dire? BIJU On enlève votre mari. MADELEINE Mon mari? BIJU Il ne reviendra plus ici! MADELEINE Grands dieux, m enlever mon mari! Au secours, au secours! BIJU On enlève votre mari. MADELEINE Au secours... LE CHŒUR Mais quel bruit! D où vient donc ce tapage? Nous venons mettre le holà! Comment? Dans le nouveau ménage On se disputerait déjà? MADELEINE Mon mari, mon mari! Rendez-moi mon mari! BIJU Puisqu on vous dit qu il est parti! MADELEINE Mais il va revenir, j espère? BIJU Jamais!... Sachez tout le mystère On veut en faire un beau chanteur. Il va devenir grand seigneur. MADELEINE Ah! c est affreux! ah! c est infâme! Abandonner ainsi sa femme BIJU Écoutez !... MADELEINE Le premier soir de notre hymen! Comprenez-vous tout mon chagrin? (On entend dans le lointain la voix de Chapelou répéter le refrain de la ronde) CHAPELOU Oh! oh! oh! qu il était beau Le postillon de Lonjumeau! TOUS Ah! c est affreux! ah! c est infâme! Abandonner ainsi sa femme! MADELEINE Loin d un ingrat qui m offense Et qui méprise nos amours, Chez ma tante en Île-de-France Je veux aller finir mes jours. BIJU Ah! pour lui quelle heureuse chance, Je veux partager son destin; A la fortune, je m élance, Et je partirai dès demain! CHŒUR Ah! c est affreux! ah! c est infâme! Abandonner ainsi sa femme Le premier jour de son hymen. Tâchons de calmer son chagrin. ACTE I Le théâtre représente une sorte de hangar, ouvert sur un village; à droite, la porte d entrée de la salle commune des voyageurs; à gauche, celle du logement de la maîtresse d auberge, au-dessus de cette porte, une fenêtre avec un petit balcon rustique en saillie; dans le fond on aperçoit à droite une boutique de charron. N° 1. LE CHŒUR Le joli mariage! Enfin ils sont unis! Tous leurs vœux sont remplis! Le joli mariage! L amour seul les engage, Le joli mariage! Enfin ils sont unis! Le joli mariage! L amour seul les engage, Le joli mariage! Pour eux plus de soucis. Le joli mariage! L amour seul les engage, Le joli mariage! Enfin ils sont unis, Pour eux, pour eux plus de soucis. Non, désormais plus de soucis, CHAPELOU Quel bonheur pour mon âme, Je peux donc aujourd hui L appeler ma p tite femme! MADELEINE Te nommer mon mari! CHAPELOU Ma chère femme, ma chère femme! MADELEINE Mon cher mari, mon cher mari! CHAPELOU Ah! quel plaisir! Que c est gentil, ma chère femme! MADELEINE Mon cher mari! MADELEINE, CHAPELOU, LE CHŒUR Ah! quel plaisir! Que c est gentil, le joli mariage, L amour seul nous engage, Le joli mariage! Nous voilà donc unis! etc. MADELEINE Je veux dans ton ménage Toujours te rendre heureux! CHAPELOU Femme gentille et sage Doit combler tous mes vœux! LE CHŒUR Voyez! voyez! qu ils sont heureux! MADELEINE Je veux toujours te rendre heureux! CHAPELOU Tu vas combler tous mes vœux, Ma chère femme! MADELEINE Mon cher mari! ah! quel plaisir! CHAPELOU Que c est gentil ! MADELEINE Mon petit mari, mon petit mari, Ah ! mon petit mari ! Air Mon petit mari, Tu seras chéri ; Pour toi seul je serai jolie! Ah ! pouvoir d un cœur Partager l ardeur De la vie C est le bonheur! Aux galants toujours rebelle, Te gardant ma foi, Je n aime que toi ! Je jure d être fidèle; Moque-toi des sots Et de leurs propos, En homme de bien N en crois jamais rien. Car dans nos amours Je dirai toujours Mon petit mari, tu seras chéri Pour toi seul je serai jolie! Ah ! pouvoir d un cœur Partager l ardeur ! De la vie c est le bonheur! etc. CHAPELOU Maintenant, à la danse, Amis, que l on s élance. MADELEINE Entendez-vous du bal Le vif et gai signal? LE CHŒUR A la danse, à la danse, Allons que l on s élance! Entendez-vous du bal Le vif et gai signal? LES PAYSANNES Avec nous venez vite! LES PAYSANS Madame! je vous invite! MADELEINE Merci, messieurs, vraiment! CHAPELOU La contredanse vous réclame. Nous y viendrons dans un instant. Mais, mes amis, avec ma femme, Laissez moi causer un instant. Allez! MADELEINE Vite au son des musettes, Allez, courez tous, Courez en dansant, Les fillettes trouveront un époux! LE CHŒUR Vite au son des musettes, Allons, amusons-nous, En dansant, Les fillettes trouveront un époux! J entends du bal Le gai signal ! (Les paysans sortent par le fond) CHAPELOU Eh bien! ma bonne Madeleine, te v là Madame Chapelou, la femme du premier postillon de la poste de Lonjumeau, ça flatte l amour propre d une jeunesse... hein! méchante? MADELEINE C est bon, Monsieur le joli cœur. Vous êtes fier comme un paon ! CHAPELOU Écoute donc, Madeleine... sais-tu que j étais joliment couru des jeunes filles?... quand je pense à va... j en ai-t-y enjôlé de ces femmes!... J en ai-t y croqué de ces poulettes ! ... MADELEINE Oui; mais maintenant, vous ne croquerez que moi..mauvais sujet ! ... CHAPELOU Ah! c est vrai!..il faut dire bonsoir à la vie de garçon ... (il soupire) ah! MADELEINE Mais... Est-ce que vous ne m aimeriez plus, Monsieur?... moi, qui vous ai fait tant de sacrifices.... j ai encore reçu une lettre de ma tante... cette bonne tante qui est allée s établir à l Île-de-France, et qui veut absolu-ment que j’aille la rejoindre... CHAPELOU Ah ça! est-ce que décidément elle a fait fortune là-bas, la digne femme? MADELEINE Je crois bien!... une fortune de duchesse!... et tout ça j y renonce pour épouser Monsieur, qui se permet de soupirer... mais qu est-ce qui vous tracasse... voyons?... CHAPELOU Eh! bien, tiens, Madeleine, tu vas tout savoir... tu as entendu parler de la mère Grabille?... MADELEINE La vieille sorcière du village?... CHAPELOU Juste ... savante femme! . . . j ai été la consulter sur notre mariage. MADELEINE Oh! comme ça se rencontre !...tu sais, le père Gaspard?.. CHAPELOU Le vieux berger... le petit bossu? MADELEINE Oui, je l ai consulté de mon côté sur notre union... CHAPELOU Voyez-vous ça ! ... N° 2. Duo MADELEINE, CHAPELOU Quoi, tous les deux! Qui l aurait cru? Ah! l aventure est singulière! MADELEINE Parle vite... Chez la sorcière, Dis-moi ce qu on t a répondu. CHAPELOU Voilà, voilà, ce qu on m a répondu Se démenant comme un vrai diable, Après avoir lu dans ma main, Elle a dit que j étais aimable, Et surtout fort malin. Que jamais, grâce à ma finesse, Je ne pourrai être attrapé, Que par ma femme ou ma maîtresse, Je ne serai jamais trompé... MADELEINE (riant) Jamais trompé?... CHAPELOU Jamais trompé! MADELEINE Ta sorcière est une ignorante, Vraiment, qui ne sait rien de rien. CHAPELOU C est une femme fort savante J en réponds, elle parle fort bien. MADELEINE Enfin, de notre mariage, Que pense-t-elle? Réponds-moi. CHAPELOU Elle m a dit qu en ce village J avais tort d engager ma foi... MADELEINE Mais c est fort mal! CHAPELOU Elle a dit aussi qu à la ville M attendait le plus grand bonheur Qu il me serait bientôt facile, A Paris, de vivre en seigneur, MADELEINE En seigneur? CHAPELOU En seigneur! Bref, pour parler avec franchise Elle m a dit qu en t épousant, Je fais... non, non, je n ose pas... MADELEINE Allons... parle! CHAPELOU ... Je fais une bêtise! MADELEINE (avec colère) Qu entends-je? Ah! c est affreux vraiment, Cet oracle est trop insolent! CHAPELOU (s approchant) Apaise ton ressentiment. Ce n est pas sa faute vraiment Si dans le livre du destin Elle a lu cela ce matin. MADELEINE Ah! quelle impudence! Quelle impertinence! Oui, son ignorance Veut une leçon. Maudite sorcière, Méchante vipère L on devrait te faire Mourir en prison! Maudite sorcière Méchante vipère! etc. CHAPELOU Si par sa science Elle peut d avance Avec assurance Prévoir l avenir, En vain la colère Ici t exaspère; La pauvre sorcière, Pourquoi la punir? La colère égare ta raison, Allons, rappelle ta raison! Maintenant, à ton tour, ma chère, C est à moi de t interroger, Je veux savoir tout le mystère. C est à moi de t interroger, Que t a répondu le berger? MADELEINE Il m a dit que dans ce village Si je voulais donner ma foi Je pourrais, pour le mariage, Trouver, mon cher, bien mieux que toi! CHAPELOU (avec suffisance) Bien mieux que moi? MADELEINE Bien mieux que toi! CHAPELOU Ton sorcier n est qu un imbécile Qui, vraiment, ne sait rien de rien! MADELEINE Ah! c est un homme fort habile; J en réponds, il parle fort bien. Il prétend que ton caractère Rendra notre hymen malheureux, Que loin de chercher à me plaire, Bientôt tu trahiras nos feux, Et que tu n es qu un vaniteux... Et surtout un ambitieux! CHAPELOU (se récriant) Il dit que je suis vaniteux? MADELEINE Bref, pour parler avec franchise Il m a juré qu en t épousant Je fais... CHAPELOU Quoi donc? MADELEINE Non, non, je n ose pas... CHAPELOU Allons donc, parle! MADELEINE Je fais une bêtise. CHAPELOU (avec colère) Qu entends-je! Ah! c est affreux, vraiment! Cet oracle est trop insolent! MADELEINE Apaise ton ressentiment. Ce n est pas sa faute vraiment Si dans le livre du destin Il a lu cela ce matin. CHAPELOU Ah! quelle impudence! Quelle impertinence! Oui, son ignorance Veut une leçon. Ah! crains ma colère Méchante vipère; L on devrait te faire Mourir en prison! MADELEINE Si par sa science Il peut à l avance Avec assurance Prévoir l avenir, En vain la colère Ici t exaspère, On ne peut j espère Vouloir le punir. La colère égare ta raison, Allons, appelle ta raison! MADELEINE Chapelou, aux sorciers, Vraiment il a foi! CHAPELOU Moi? ah! non! Je n y crois pas plus que toi! MADELEINE Entre nous deux, Allons, plus de mages Je veux t aimer toujours, Je te le jure ici. CHAPELOU Je ne croirai jamais A de fâcheux messages. Je veux être pour toi Le plus tendre mari. ENSEMBLE Ah! quel doux avenir! Rien ne pourra nous désunir. Allons, ne redoutons plus rien, Chez nous, toujours, tout ira bien. (A la fin de l ensemble, Chapelou embrasse Madeleine. Biju entre par le fond à droite). BIJU (en habit de travail de forgeron, entrant) Très bien...il parait que vous êtes pressés..allez votre train... ne vous gênez pas... CHAPELOU (à Biju) Dis donc Biju pendant que j y pense, pourquoi qu on ne t a pas vu à ma noce, toi? BIJU (avec humeur) Parce que j étais à ma forge... MADELEINE Et parce qu il est jaloux de voir le bonheur d un rival, n est-ce pas, Monsieur Biju? CHAPELOU Ah! c est vrai, je crois qu il te faisait un petit doigt de cour, Madeleine?... BIJU Je lui faisais bien une cour tout entière...sans compter quelle ne me voyait pas d un mauvais œil! ... MADELEINE Oh! si l on peut dire!.. faiseur d histoires!... CHAPELOU (à Biju) Allez, sans rancune...je ne t en veux pas...j ai même un petit service à te demander... BIJU Voyons voir... CHAPELOU Voilà...tous les postillons sont en course, et, s il arrive ce soir un voyageur, il n y a pas à dire, il faudra que je mette les bottes. BIJU Eh ben!... CHAPELOU Eh ben! quand on se marie, on a autre chose à faire que de galoper, la nuit, sur la grand-route...Alors, tu auras la complaisance de me remplacer, en cas de besoin.... hein? MADELEINE Ainsi, c est convenu... nous pouvons compter sur vous, voisin?... BIJU Comment donc! pouvez compter... sur rien du tout.. CHAPELOU Tu refuses?... BIJU Tout net... et je ne demande plus qu une chose... c est qu il vienne un voyageur... CHAPELOU Ah! j espère bien tout le contraire... et j ai lieu de croire (on entend du bruit au fond). Qu est-ce que c est que ça? LE MARQUIS (dans la coulisse) Maudit postillon!... holà! quelqu un? BIJU (avec joie) Un voyageur! MADELEINE (avec tristesse) Un voyageur! CHAPELOU (avec dépit) Un voyageur! que le diable l emporte! BIJU (se frottant les mains) Fameux! fameux! Dis donc, Chapelou; veux-tu que je t ai- de à mettre tes bottes?... LE MARQUIS (entrant par le fond) Malotru de postillon!... qui se permet de me verser, moi le Marquis de Corcy, gentilhomme de la chambre du roi!.. Y a-t-il un charron dans ce village? BIJU (s avançant) Un charron? présent! LE MARQUIS Une roue de ma chaise vient de se briser...peux-tu me la raccommoder? BIJU Oui, mon prince (regardant Chapelou) Dans une heure vous pourrez vous remettre en route... CHAPELOU (tristement à Madeleine) Rien qu une heure, Madeleine... MADELEINE (à demi-voix) Laisse-moi faire..(au marquis) Si Monsieur en attendant, voulait se rafraîchir, nous avons un petit vin qui n est pas méchant. LE MARQUIS(brusquement) Je n ai pas soif; je ne veux qu une chambre où je puisse attendre en repos que ma chaise soit réparée. MADELEINE (désignant la porte à droite) Entrez là, Monsieur; vous y serez bien à votre aise... CHAPELOU (à Madeleine) Et nous, allons rejoindre les amis! MADELEINE Oui, oui! (faisant la révérence au Marquis) Votre servante, Monsieur... (La nuit vient par degrés) LE MARQUIS (seul) Maladroit postillon! Interrompre un voyage d une si haute importance!... un voyage ordonné par sa majesté Louis le Quinzième. Je vivrais cent ans que les paroles royales ne sortiraient pas de ma mémoire... « Comment, Marquis de Corcy, nous n aurons pas Castor et Pollux à Fontainebleau!... - Hélas! non, sire... Jéliote, qui devait jouer Castor, s est fait enlever par une duchesse, et Legros, sa doublure, a pris un coup d air en dînant au Port à l Anglais. - Et vous n avez pas un autre Castor à mettre à la place?...- Pas le moindre Castor, sire... il y a de quoi en perdre la tête!...- A quoi diable sert-il donc de vous avoir donné l intendance de nos menus plaisirs? Faites des élèves, Monsieur, cherchez des voix... - Et je cherche des voix...si sa majesté croit que c est facile... (On entend la ritournelle du chœur suivant) Allons, encore ces paysans, la gaîté du peuple m est fastidieuse. (il entre dans la chambre à droite). N° 3. Morceau d ensemble et Ronde du Postillon LE CHŒUR Jeunes époux, Voici l heure fortunée, Où l hyménée A des instants si doux. CHAPELOU Mes amis, je vous remercie, Mais déjà s avance la nuit, Et, puisque la noce est finie, Il faut se retirer sans bruit. Bonne nuit ! LES PAYSANS Bonne nuit ! LES PAYSANNES (entourant Madeleine) Un devoir ici nous réclame, Car avant de vous quitter, Au coucher de Madame, Nous devons assister. CHAPELOU Je vous suis . . . LES PAYSANNES Non ! suivant l usage... CHAPELOU Plaît-il? LES PAYSANNES ... Monsieur, il faut attendre ici! CHAPELOU (avec colère) Que le diable emporte l usage! Ensemble LES PAYSANNES (aux paysans) Il faut obéir à l usage, Ici retenez le mari ! LES PAYSANS (retenant Chapelou) Il faut obéir à l usage, Allons, retenons le mari. CHAPELOU Laissez-moi rejoindre ma femme! LES PAYSANS Tu n iras pas! Tu n iras pas! CHAPELOU Je vais me fâcher sur mon âme! LES PAYSANS Ça n y fait rien, tu n iras pas! CHAPELOU Laissez-moi rejoindre ma femme! LES PAYSANS Tu n iras pas, tu n iras pas! Allons, pour prendre patience, Sans qu on t y force, mon garçon, Allons, chante nous la romance Du jeune et galant postillon. CHAPELOU Je n ai pas le cœur aux chansons. LES PAYSANS Chante, chante, Après nous te lâcherons ! CHAPELOU Vous le jurez?... LES PAYSANS Nous le jurons Oui, nous te lâcherons! CHAPELOU Allons, en deux temps, Je commence. Ronde I Mes amis, écoutez l histoire D un jeune et galant postillon. C est véridique, on peut m en croire, Et connu de tout le canton. Quand il passait dans un village, Tout le beau sexe était ravi, Et le cœur de la plus sauvage Galopait en croupe avec lui. Oh! oh! oh! oh! qu il était beau, Le postillon de Lonjumeau! LE CHŒUR Oh! qu il est beau, qu il est beau, qu il est beau, Le postillon de Lonjumeau! II Mainte dame de haut parage, En l absence de son mari, Parfois se mettait en voyage Pour être conduite par lui, Aux procédés toujours fidèle, On savait qu adroit postillon, S il versait parfois une belle, Ce n était que sur le gazon ! Oh! oh! oh! oh! qu’il était beau, Le postillon de Lonjumeau! LE CHŒUR Oh! qu il est beau, qu il est beau, qu il est beau, Le postillon de Lonjumeau! LE MARQUIS Quelle voix ravissante! Vraiment, elle m enchante! Je trouve enfin celui Que je cherche aujourd hui. III CHAPELOU Mais pour conduire un équipage, Voilà qu un soir il est parti. Depuis ce temps, dans le village, On n entend plus parler de lui. Mais ne déplorez pas sa perte, Car de l hymen suivant la loi, La reine d une île déserte De ses sujets l a nommé roi. Oh! oh! oh! oh! qu il était beau, Le postillon de Lonjumeau! LE CHŒUR Oh! qu il est beau, qu il est beau, qu il est beau, Le postillon de Lonjumeau ! LES PAYSANNES A présent, Monsieur le mari, Vous pouvez ordonner ici. Ensemble CHAPELOU, LE CHŒUR Jeunes époux, Voici l heure fortunée Où l hyménée A des instants si doux. LE MARQUIS Un mot, mon garçon... un mot...tu me vois ravi, enchanté. . . transporté ! ... CHAPELOU Ah, quoi? LE MARQUIS Tu as le plus beau contre-ré que j ai jamais oui! CHAPELOU J ai un contre-ré... (Regardant autour de lui) Où ça?... LE MARQUIS Je t expliquerai plus tard, il s agit de m écouter. CHAPELOU J peux pas... J peux pas ... ma femme... Madeleine qui m attend... LE MARQUIS (se plaçant devant la porte, à gauche) Il s agit bien de ta femme, quand il y va pour toi de ton avenir, de ta fortune!... CHAPELOU (très étonné) Ma fortune? LE MARQUIS Oui, à cause de ton contre-ré... Écoute, te dis-je... je suis intendant des menus plaisirs de sa majesté Louis le Quinzième... CHAPELOU (voulant s en aller) C est possible...mais, vu la circonstance, je suis obligé... LE MARQUIS Quand je te dis que tu as cent mille livres dans ton gosier... CHAPELOU Dans mon gosier! ça alors. LE MARQUIS Tu ne sais pas chanter..non; mais tu as une voix timbrée flexible, admirable... je ferai de toi un artiste distingué, et dans six mois, tu débuteras au Grand-Opéra... CHAPELOU Comment ? LE MARQUIS Et tu gagneras dix mille livres par an. CHAPELOU Dix mille livres?... LE MARQUIS (il lui donne une bourse) Eh! ce n est rien cela... tu verras la cour... les princesses... Allons, allons, ne perdons pas de temps... je te le répète, songe à ta fortune, à ton avenir... N° 4. Finale LE MARQUIS A mes désirs, il faut te rendre Avec moi, vite, il faut partir! CHAPELOU Eh quoi!... Partir sans plus attendre? Non, je ne puis y consentir. LE MARQUIS Il faut partir sans plus attendre. CHAPELOU Non, je ne puis y consentir! LE MARQUIS Allons, allons, la résistance est vaine, Le bonheur t appelle à la cour. CHAPELOU Mais quitter Madeleine... Pour moi son cœur a tant d amour! LE MARQUIS Mon Dieu ! ne te mets pas en peine, Bientôt tu seras de retour... Viens! CHAPELOU Je ne puis! non... un autre jour... Demain... plus tard, La semaine prochaine... LE MARQUIS A l instant... bannis tout regret... (à part) Sa belle voix m échapperait! CHAPELOU Pour mon cœur quelle peine! Je ne puis consentir, en ce jour, A quitter Madeleine Lorsque son cœur a tant d amour! LE MARQUIS Crois en ma promesse; De la noblesse, de la richesse, Heureux favori, Captivant les âmes De toutes les femmes, Des plus nobles dames Tu seras chéri. Pour toi, quel avenir joyeux, Que de plaisirs, que de fortune! Dans tes amours, toujours heureux, Tu séduis la blonde et la brune. CHAPELOU Ah! vous allez me tenter... Je ne pourrai vous résister. LE MARQUIS Eh bien, viens! CHAPELOU Demain... LE MARQUIS Non! dans l instant! CHAPELOU Non! non! demain... LE MARQUIS Non! dans l instant! CHAPELOU Non! je ne puis... Pour mon cœur quelle peine! Je ne puis, je ne puis, en ce jour, Moi, quitter Madeleine, Lorsque son cœur a tant d amour! LE MARQUIS Oui, crois en ma promesse, De la richesse, De la noblesse, Heureux favori Captivant les âmes De toutes les femmes, Des plus nobles dames Tu seras chéri. Oui, de toutes les femmes Tu seras chéri! CHAPELOU Ah! quelle promesse! Quoi! de la richesse Et de la noblesse Heureux favori, De toutes les femmes Je serai chéri. Quoi! je serai chéri! BIJU Prince, votre voiture est prête! LE MARQUIS (à Chapelou) C est bien, c est bien, C est fort bien ! Allons! que rien ne nous arrête... Mon ami, quel bonheur pour toi! Demain, demain, quel bonheur, Demain, je te présente au roi! CHAPELOU Eh quoi! demain? LE MARQUIS Je te présente au roi... BIJU Demain il te présente au roi. CHAPELOU Oui da, mon cher, je vais chez le roi; J aurai de l or plus gros que toi. BIJU Mais expliquez-moi ce mystère. CHAPELOU Devant ce seigneur j ai chanté; De ma voix il est enchanté! BIJU Pour toi quelle chance prospère; Moi j ai de la voix, Dieu merci! Et je vais l enchanter aussi. Tra la, la, la, la, la, la!... LE MARQUIS Oh! le butor!... Finis donc, butor! Partons... BIJU (à Chapelou) Mais Madeleine... Quoi! Tu pars sans la prévenir? CHAPELOU Dis lui que je vais revenir... Ce soir... demain... la semaine prochaine... LE MARQUIS Allons, allons! il faut partir... CHAPELOU Rien ne peut plus me retenir! Allons, allons! il faut partir, Oh! quelle promesse Quoi! de la richesse Trop heureux favori. Captivant les âmes De toutes les femmes, Des plus nobles dames De toutes les femmes Je serai chéri... Allons, allons! il faut partir... Rien ne peut plus me retenir! LE MARQUIS Crois en ma promesse, Oui, de la noblesse Et de la richesse Heureux favori, Captivant les âmes De toutes les femmes Oui, bientôt, tu seras chéri!... Allons, allons! il faut partir... Rien ne peut plus te retenir! BIJU La belle promesse Quoi! de la noblesse Et de la richesse Heureux favori, Captivant les âmes De toutes les femmes Des plus nobles dames, Bientôt, il sera chéri... Comment il veut déjà partir?... Rien ne peut plus le retenir! MADELEINE Viens, viens, ma voix t appelle, Viens, viens, mon petit mari; Viens, viens, toujours fidèle, Je t attends, je t attends ici. Viens, viens! il ne vient pas! Mon mari! mon mari! BIJU Vous demandez votre mari? Ah! mais vraiment, ça me fait rire! Tenez! tenez, le v là parti. MADELEINE Comment! Comment! Que veux-tu dire? BIJU On enlève votre mari. MADELEINE Mon mari? BIJU Il ne reviendra plus ici! MADELEINE Grands dieux, m enlever mon mari! Au secours, au secours! BIJU On enlève votre mari. MADELEINE Au secours... LE CHŒUR Mais quel bruit! D où vient donc ce tapage? Nous venons mettre le holà! Comment? Dans le nouveau ménage On se disputerait déjà? MADELEINE Mon mari, mon mari! Rendez-moi mon mari! BIJU Puisqu on vous dit qu il est parti! MADELEINE Mais il va revenir, j espère? BIJU Jamais!... Sachez tout le mystère On veut en faire un beau chanteur. Il va devenir grand seigneur. MADELEINE Ah! c est affreux! ah! c est infâme! Abandonner ainsi sa femme BIJU Écoutez !... MADELEINE Le premier soir de notre hymen! Comprenez-vous tout mon chagrin? (On entend dans le lointain la voix de Chapelou répéter le refrain de la ronde) CHAPELOU Oh! oh! oh! qu il était beau Le postillon de Lonjumeau! TOUS Ah! c est affreux! ah! c est infâme! Abandonner ainsi sa femme! MADELEINE Loin d un ingrat qui m offense Et qui méprise nos amours, Chez ma tante en Île-de-France Je veux aller finir mes jours. BIJU Ah! pour lui quelle heureuse chance, Je veux partager son destin; A la fortune, je m élance, Et je partirai dès demain! CHŒUR Ah! c est affreux! ah! c est infâme! Abandonner ainsi sa femme Le premier jour de son hymen. Tâchons de calmer son chagrin. Adam,Adolphe/Le Postillon de Lonjumeau/II
https://w.atwiki.jp/satoschi/pages/3339.html
チェナピアン語 ｜Sepik-Ramu languages｜ 言語類型 現用言語 使用文字 type living language writing system ISO 639-3 【cjn】 言語名別称 alternate names Chenap Tsenap Zenap 方言名 dialect names 参考文献 references WEB ISO 639-3 Registration Authority - SIL International the LINGUIST List Ethnologue
https://w.atwiki.jp/fffkindle1212134/pages/12.html
Date A Live 02.Another Closer Encounter [The space shuttle was waiting to launch. Shido and Ririko were speaking at the launching site. Seemingly, it was a situation in the game. Ririko wore space suit so she looked one of the clue members of the space craft] Ririko I don t wanna go to sea yet. Before the shuttle launch, and I leave this glove, there s something I think I d like to know about me... Shido What is it, Ririko? Ririko Everyone wanted you to get really good at flirt on Spirits, so you can make them fall in love with you. I mean, supposed to get better by proxy on me. Shido Yeah, that s the plan. What about it? Ririko I want, just, I m afraid...I m afraid, I might ve been falling in love with you... Shido ... Ririko It s true, we ve known each other forever, you always treated me like little sister... But, do you think you can start looking at me as an woman instead? [Choices of yours were displayed on the screen. They were 1. Of course / 2. I can t do that / 3. Anyway, but I m not interested in women. ---Shido chose option 1] Ririko This is the best day ever! [Happily smiling Ririko jumped at and hugged Shido] Ririko Don t you wait about a thing. I m leaving and waiting from Jupiter. It s like super faraway! Until next time...big brother! [Ririko tried to kiss to Shido, but the helmet of the space suit she wearing blocked doing it. Anyway, end credit role flew, and the message "CG - mode completed" appeared] Shido AAALLRIGHT! Ha ha...hah...I rock... [Real world Shido clenched his fist in triumphant. It looked the time s around early morning] OP --- Narration Spirits, mysterious girls appearing from another world. Should we fight against their pure strength with the weapons of war? Or, should we address them with love? Now, mankind has faced this ultimate decision... [A girl was running through devastated residential area. The area completely burned out, as if a war erupted in there] Girl Dad! Mom! [She turned the corner, then white haired girl found her parents in middle of the street. Houses behind them were in red flame] Man Origami...! [She gave back her smile to them. But then, bright light in the sky burst. The light devoured her parents, herself, whole world. Origami woke up] Origami Ah...! [She didn t wear any cloths. Sweat covered all of her body. She panted heavy breath. It was her nightmare] Reine Shin... Shido Yes, Reina...? [Reine held Shido s head wither both hands. They stood alone in the ill-lighted room. She left her hands after she fingered around Shido s ear. Expectant Shido waited closing his eyes, making up his lip. But that wasn t Reine tried to do. Instead, Shido felt something remained in his right ear] Kotori Are you daydreaming again? It s time to implement stage two of your training. So, you better be ready. Shido Huh? [Shido stood at the passage just out of the class 2-4. His teacher, Okamine stood near Shido, too, facing Shido] Shido (This...is training...?) Okamine Good afternoon, Shido? Is there I can help you with? Shido No...Thank you. Kotori What are you think you re doing?! [Kotori spoke to Shido through the earphone Reine set up beforehand] Kotori Quit waste everyone s time. Hurry up, and make her falling love with you! Shido Do I have to? [In the dark physics preparation room, Shido s voice could heard from the speaker. Kotori and Reine sat at the operation console Reine maintain] Kotori You have to know by now that seducing a Spirit is easier said than done. If you can t even make a human love you, how do you expect convince a Spirit, too? Shido You asking a wrong guy! I m not a stud! [He whispered to his microphone, hidden from Okamine] Kotori We know. Start with you compliments and see what happens? We re hear for response, we ll give you the instruction. Okamine Er...Is there something in your mind? [Okamine didn t hear Kotori s voice] Shido Mm...Ms. Okamine? That s a...cute outfit you wearing. Okamine What? Goodness, you really think so? Oh my, that was very flattering of you. [She made her cheek pink. Looked she don t hate what Shido said] Shido Oh yes! It really does look good! [Shido stuck up his right thumb] Shido So, does your hair, and...those, sexy glasses. Perfect shoes...Perfect stockings...Perfect attendance book, heh... Okamine Shido, is everything alright...? Kotori You got way too into that! Stop it creepy! Okamine I m kind of busy right now. So, see you in class? Shido Er...Ugh, er... Reine This can be fixed. Alright. Listen closely and do exactly as I say. Shido (Sigh) Here s the truth. I love home room. I look forward to going toward everyday. Okamine Oh, that s enough I stay here! I m so glad you like it! Shido The main reason because I get to see you all the time... I can t help it! I think I m falling love with you. Okamine Oh! Come on, don t say such sweet things! Honestly, I m flattered, but students and teachers can t love each other! [Looked she actually was very flattered. Shido pushed more] Shido No! Don t tell me that! I m dead serious...I want to marry you! [Okamine opened her eyes wide] Okamine You want to MARRY ME~?! [Pink aura emerged from Okamine s entire body. She lost her senses, grabbed Shido s arms] Okamine Eek! Is it true? Once you old enough to get married I ll be thirty is that OK? You need to meet my parents. Daddy s get so protective and I think he ll like you, he might ve even given us the house, once you graduate and get decent job, I can retire and start having babies! Then you--- Reine Huh, we underestimated the game easy as that twenty-nine year old single woman. They make for easy targets... Kotori It ll be annoying if she get s more involved than necessary... Hey, Shido. We re done here, so make her some excuse, and get out of there pronto. Shido I m really sorry, Ms. Okamine, I don t think I tried for that hard work commitment! [Shido ran away by mach speed from Okamine. But Okamine was still in her dream] Okamine You can start out in an apartment and work away, or twin three bedroom condo with a backyard...and don t worry about wedding ready, I ve been saving about fifteen years, you can take care the didgy, I ll do the risk! ... Kotori You found a market with older woman. Good to know. Shido Shut up! How can you be so calm! I m about---Gwah! [Shido collided other girl student while he was running. Both fell down to the floor] Shido Oh, man...Sorry about that. ...! [The girl laid on her back. Her leg was open, forming M letter, so her panty was frankly revealed. Nevertheless, the girl quickly regained her proper posture. It was Origami] Origami I m alright. Kotori Perfect timing! Why do you practice with her, too! Shido Huh?! Kotori She s around the same age as you, so it ll be natural. Plus, even she s not a Spirit, she s a member of AST. Doesn t seem like the type of spreading rumor either. Shido But, rumors about what? Kotori Just talk to her already! [Kotori yelled at the monitor that showed the corridor where Shido and Origami standing] Shido Urgh... Er...Hey, Tobiichi. Those cloths are nice on you. Where did you get them? Origami It s a uniform. Kotori Come on, Idiot! You have to put in more effort on that! Again! With more feeling! Shido (I don t know how...) Reine Shin, follow my lead. Shido To be honest, I already know. I ve known all about you for a quite a while now. Origami I m aware that. Shido Oh, that s so. Nice, I m really glad we re in the same class this semester. In fact, I m watching you all the time during the class when you study. Origami Yes. Likewise. Shido Is that so? How random. I also like sneaking into your locker after school, to sniff your gym cloths. Origami Same here. Shido Okay...I wasn t expecting that. Origami And, why not? Shido Who knew we had so much in common, so do you wanna go out with me? [Origami stalled. She didn t respond any reaction. Shido spoke to the microphone with whisper] Shido Okay, I m at a nowhere. Don t you think this is a little sudden? Origami ...I wouldn t mind. Shido Er...?! Origami I wouldn t mind that going out with you. Shido Oh...cool! So, you, wanna, like, go somewhere with me? Something like that? Origami Like a movie? I m sorry, I assumed that you are asking me out on a date, Shido? Am I wrong? Shido No, not at all. That s exactly what I meant. Origami Good. Shido (Getting at...What s exactly what I meant...? How come Reine didn t bay on me out of that one? I m screwed!) [Origami handed Shido something] Shido Er...what s this? [That was a photograph. A portrait of Origami. On the photo, there was a autograph written by Origami herself] Origami For you. Because you like my uniform. Shido Huh? [Then, emergency siren was blown] Announce Your attention please. This is not a drill. They have been precursory signs for impending spatial quakes in this vicinity. Please evacuate to near shelter immediately. I repeat... Origami Something s just came up. Bye. Shido Hey, wait a second! Where are you going?! [Origami dashed away from Shido] Kotori A spatial quake is about to happen. I ve left to the Fraxinus for now. Shido Do you think it s a Spirit? Kotori Yes, "Princess." Should be appearing your exact location. ...Raizen high school. [At the base of the ground force, girls wearing equipment, preparing to encounter the Spirit. All the advertisements and signboards in the city now changed their displaying contents, now all showed warnings of the spatial quake. Walls appeared from under the ground, completely surrounded the school. Under the ground, AST s bullet train stopped for Origami, bring her to its base] Kusakabe They are on their way now! Origami Roger that. [Origami changed her wear to AST s mech-squad s armor, attacked her back to mechanical wings] Kusakabe Here we go! The quake has started! [The space above the high school began deforming, contracting, then burst, swallowed all surrounding material into it. After the spatial quake, half the facility of the school disappeared, as if it was scooped with very large spoon. AST squads stood ready in the woods behind the school premise, waiting for something] Kotori Consider yourself lucky, Shido. the AST CR units are deadly. They weren t build for indoor combat. [Now, Kotori sat on the chair of the commander of Fraxinus] Kotori As long as Princess remain inside the school, the AST will have a hard time interfering whatever you do. Shido With what I do? [Shido stood at the entrance gate of the devastated school] Kotori You know exactly what I m talking about. Shido ... Kotori Relax. This is what you ve been training for the past week. You are as ready as you ve ever been. You wanna save the Spirit, or am I wrong? [Shido recalled the face of Princess, when she turned to look at him] Shido (She s right. I don t ever wanna see that sad look on her face again...) Kotori, you re absolutely sure I can do this? Kotori Yes. Just believe in yourself. You re opposite, and different they dealing on the Spirits, on more intimate method. Remember that. Shido Be friendly with them, use sweet talk, and make them fall for me. [Shido stepped forward to the school building] Kotori You re gonna do just fine. Besides, the Fraxinus has got your back... We, hold the pride of Ratatoskr, are ready to response to any circumstance! [Kotori began introduce her clue members. First, it s a tough looking man with a clue cut. He had white mohawk hair) Kotori With five marries, and five divorces under his belt... The love master! "Bad Marriage" Kawagoe! Kawagoe Mm~, key there! [Kawagoe gave throwing kiss with his two fingers. His subtitle was "Too early to get boring period". Next man, he looked in early old age, having progressively rearing hair] Kotori It s the working girl s favorite in midnight client... "CEO" Mikimoto! Mikimoto Who doesn t love love. [Mikimoto sipped a glass of whiskey. His subtitle was "A president," or CEO. Third, she had a black long hair, sitting with her head down] Kotori Go after this lady s fell in? You ll regret it! Don t you dare pissed her off! "Neil Nocker" Shinzaki! [Her subtitle was "Doll made of straw." She gave a gleaming glance with holding a doll made of straw. Fourth, the man looked usual guy, wearing square shaped, red colored rim glasses] Kotori The man has no fewer than hundred wives! "Dimension Breaker" Nakatsugawa! Nakatsugawa A-OK! [He formed a circle using his thumb and index fingers. His subtle was "The man who surpasses the dimension." Fifth and last, she also looked usual woman, having waving chestnut hair, seeing a picture] Kotori Lastly, a woman whose love is so strong... Not even this, leave a straining order can t keep her away! "Deep love" Minowa! Minowa ...Huh? [She s too focused on looking a picture she s holding, hardly noticed she got introduced by Kotori. Her subtitle was "Under a probation order."] Shido Fantastic. I m aligned on perverts... Reine Don t worry, everyone s gotta one they do. Kotori And, that s only a portion of the troops on our side. Just stay calm. Even if you died, once you can always stat the new game without a penalty. Shido I m pretty sure this isn t a game... Kotori Have faith in your little sister...? Now getting there, flirt! [Shido walked in corridor, arrived at the front of the class room where Princess was. He peeked the room, Princess stood still, alone, seeing outside of the class, the sunset. She turned to Shido. Shido made a gasp. Princess raised her left hand, then slashed down. She blasted a shock wave toward Shido, the impact blew away the building s wall] Shido Whoa! (Coughing)...Wait just a minute! I don t wanna fight with you! Please! Listen to me! [Shido tried to approach, close a distance, but Princess gave another blast to him] "Princess" What s your name? And, why are you following me? Shido Because... Kotori Don t answer yet! [Through an earphone which infixed in Shido s right ear. On Fraxinus, busily analyzed the situation] Minowa There has been a change in a mental statement of the Spirit. Kawagoe Reaction analysis complete! Nakatsugawa Displaying choices on screen! ["1. My name is Shido Itsuka, I ve come to save you.", "2. I m just a passerby! Please, don t kill me!", "3. Before asking someone s name, you should give your own." Choices were read out by synthesized voice of Shido] Kotori Well, there they are. Now, everyone get to work! [Five clue members, and Reine chose their choice. one people chose choice 1, two people 2, three people chose 3] Kotori No surprise here. You guys went to the same one I do. Mikimoto The fist choice is a traditional, true classic. But it doesn t apply a situation. And it does sound a little cliché. Kyohei Option 2 is also out. I fear escapes if he can continue the conversation. Number 3, it is. Kotori I agree. In this case, 3 makes the most sense. So let him leave he ll get know her better. Key, Shido, make up your mind! Now, listen closely and repeat after me. "Princess" What are you waiting for? Answer the question already! [Return to the school, irritated Princess questioned Shido] Shido Mmm... [Shido and Kotori read out the answer in unison] Shido Kotori Before asking for someone s name... Shido You should really give your own first! [Another blast attacked Shido. The blast shuttered most of the glass pane of the building story s window. Shido flew to the wall, but looked not so heavily injured] Kotori Well, that was unexpected. Shido What expected my ass! I could ve been dead! [Shido yelled at the microphone. Princess approached him, making purple glittering electronic ball on her left hand] "Princess" No more time for game. If you do not answer me, I can only assume you are my enemy. Shido My name is Shido Itsuka! I am student of this school! I ve got no reason to bite you! [Shido promptly responded. Princess squinted her eyes] "Princess" Hold on... This isn t the first time we crossed path. Shido No, it s not. I saw you on the Tenth on the city. "Princess" That s right. I thought so... I remember you saying something on to me that day... [Princess quit holding energy ball on her hand. Instead, she grabbed Shido s head, and continued questioning on him] "Princess" You said, you didn t come to kill me, and that you couldn t kill anyone. And, now I know that was a lie. Why else you d be here? [Princess stared Shido] Shido Your face... How come you always look so sad...? "Princess" ... Shido I m not trying anything. And, it s true. I really have no reason to kill you. "Princess" Quit lying! Every single human is out to get me. I haven t on the thing to them, yet they want me dead! Shido I swear that s not true! "Princess" You never answered me... You claimed to have no intention of killing anyone. If that s really the truth, tell me why it is you came here? [Then, another choices appeared on Fraxinus s console. They were "1. Of course, to meet you.", "2. That s not your problem.", "3. It s coincidence. Just happened."] Kotori Oh, first reaction is all that pretty. This time, option one s probably the safest choice. [Shido read out option one] Shido I, I wanted to meet you. "Princess" To meet me...? Why would you want that? [Another choices appeared. "1. I m interested in you", "2. To have love with you", "3. I d like ask you about a thing"] Kotori ...Do you guys have any ideas? Kawagoe I ll recommend straight forward approach. Mikimoto Yeah. Be clear and direct. This girl s way too dense to get anything settled. Kotori That s a good point. We ve already waste the enough time answering all these questions... [So, Shido read out the choice 1] Shido Er, it s simple. I came here because I m interested in you. [The "Pincess" sliced down the wall Shido leaned, just above Shido s head] "Princess" I m in no mood to joke around. Shido I know...And, neither am I. ...You wanna know the truth? I came here so I can talk to you. ["I won t let you make such a sad face." Shido s emotion appeared on the screen] Shido I don t even care what we talk about. ...Not one bit. You can ignore me if you want to. ["I won t let you make such a sad face."] Shido But, know this. I m not like every other human. ["I won t let you make such a sad face."] Shido Because... Kotori Stop it! Wait her signal! Shido Because I ll never let you down! ["Bang." The sound of gun fire resonated in the Spirit s mind. She turned herself back to Shido] "Princess" ...You said your name was Shido, right? And, when you said you were interested in me, were you being serious? Shido Yes, I was. [She turned herself to Shido again, now they were facing each other] "Princess" But, like, serious-serious? Shido Serious-serious. "Princess" ...One hundred percent serious-serious?! Shido One thousand percent serious-serious! "Princess" Ummm...! Jerk! Who was seriously fall for your amateur tricks! Stupid dummy! Shido But, that was from the heart! "Princess" Then, again, this is different. I don t know what your intentions are... But, you are the only human I ve ever had normal conversation with. You know this world, which could serve me well. It might just work...Yup, it s settled. This should prove your usefulness. Shido Er...Thanks, I guess. Oh...oh yeah, what was your name again? "Princess" My name...? I ve never had any one of those... But I suppose I will need one if I want to find out why humans so awful... Okay. Why don t you come up with something you can call me? Kotori Well, she s certainly putting the Fraxinus to work, isn t she? Alright, clue! We need to pick of her name on the double! [Every clue on the Fraxinus wrote down names, which they thought best. But, Reine raise a concern] Reine The few suggestions we have aren t gonna be enough. They want to call in troops from around the world. Kotori One step ahead of you. [Kotori touched console. Then, smartphones all over the world which installed the game "Fall in love My little Seed" reacted. Tonomachi, now evacuated in underground shelter noticed a message] Tonomachi Huh? Gosh, now what does she want? [On the game display there were a message that read "Please, I need a name for my new sister! (Heart)"] Tonomachi Heh heh heh... Your wish is my command. My digital darling! Ai Isn t that "that fool" Tonomachi? Mai He s probably sending a dirty text to Shido. Mei That s so lame... ["Tome" was the name Tonomachi gave to her, or system. In Fraxinus, dozen of names were printed on screen. Among them. Also, names that Fraxinus s clue chose showed up on the monitor. The first shown name was "Misako"] Kotori Come on! Man! We re not naming Princess after one of your ex-wife?! [The suggestion was made by Kawagoe. Next, the screen showed "麗鐘"] Kotori I don t even know how to pronounce that gibberish! Mikimoto It s "Clarabelle." Kotori The 1920 s are over! Can anyone here think of half way decent girl s name?! How about, "Tome!" Shido "Tome"... "Tome" sounds kind a name, right? [Shido couldn t hide his suppressing smirk. Princess s happiness meter, it was showed on the monitor in Fraxinus, had began tumbling down. She attacked Shido with her dark energy ball] Kotori Wow...She s mad... Is "Tome" that bad? [Around Shido, there were countless small hole, such like made by gun shot, around Shido. Shido froze as if he shot by shotgun at point-blank range] "Princess" Don t think I can t tell what a human is attempting to make fun of me. You got it? Shido Okay! Just a minute! (Apologies to anyone named "Tome." but, I don t think I know a single girl would like that name...Think, Shido! There has to be a perfect name for her...!) ["The comment is just Shido thinking in that way, and it does not reflect any idea of the production committee." The caption explaining the stance of the product team of Date A Live flew on the screen] Shido How about..."Tohka?" "Princess" Tohka...yeah, I guess that ll work. [Shido wrote down her name on the chalkboard] "Princess" Is this how it s written? Shido It is. ["Tohka," Princess also wrote down her new name, or scribble it using purple electricity she made on the tip of her index finger, on the chalkboard] Tohka Huh...Tohka. Now, I have a name. I think I like it! Thank you. Shido Yeah... Yeah, you re welcome. [Tohka smiled to Shido. Shido stared her smile, thinking] Shido "Tohka" just means "10th" as on a day we met...But, I hates not like she ll ever need to know that! Kotori Get down, and take cover! [Suddenly, a rain of gun fire fell on Tohka and Shido. From the sky, AST squad delivered a volley of fire] AST member Sure this is OK, captain? Kusakabe We have permission to smoke them out. Once we ve done our job, the enforcement can take care of the rest. [Tohka s force field hadn t allowed the bullet to reach them, so she and Shido were undamaged] Shido Are you alright? Tohka Hurry up and leave while you still can. I d love to continue our talk, but the last thing I want is for you to get hurt. Don t just stand there. Get going before they open fire. Shido ...I m staying right here! [Shido sat on the ground, cross-legged] Shido Sit down. I wanna talk some more. You wanna know about this world, don t you? So, have a seat. Pretend they are not even here. Tohka ...Alright. [She sat near Shido, face-to-face. She s on her knee. AST squad fired a volley again. The noise of gunfire was intense so we can t hear what Shido and Tohka speaking under the force field. But, looks they were chatting merrily each other] Shido I m curious...If you are not a human, what exactly are you? Tohka I don t know...I don t remember how long ago was I appeared out of nowhere... That s all I can recall...most of my oldest memories are fuzzy and distorted. And, honestly I don t know what kind of being I am... Shido That s awful. Tohka I suppose so. My birth was sudden, and inexplicable. And, mech-mech-squad was already in the air when I awoke. Shido Mech-mech...huh? Tohka Them. The noisy flying people... [Tohka addressed it was AST squad, who were continuing firing their guns] Shido Interesting... [Then, an earphone Shido wore rang a bell in Shido s ear] Kotori Here s your chance! Her happiness meter is over seventy! Now, it is good a time as any to make a move. Shido What do you want me to do? Kotori For starter as you, ask her on a date? Shido ...?! Tohka ...? What s wrong? Shido Eh, nothing I m just itchy. Tohka You ve been muttering under your breath for a while... Are you hiding something from me? [Shido lost his composure. He tried patching up] Shido No, no! You over reacting! Tohka Then, tell me what you were saying just now? [Tohka generated, held purple electron ball at the top of her index finger, readied to attack Shido] Shido I...forgot? Kotori Come on...cut it the chaste, and ask her out...? Ask her out! Ask her out! [All crew members on Fraxinus followed Kotori s repetition] Fraxinus crew Ask her out! Ask her out! Ask her out! Ask her out! ... Shido Alright already! Shut up, I ll do it! ...Tohka, I wanna ask you something. Er, but it s...well, it s kind of abrupt. But...will you go on a date with me? [In the sky, among AST, Origami continue firing her machine gun. Captain Kusakabe approached to talk to Origami] Kusakabe Have you receive any new orders, Origami? Origami That s negative, ma am. Kusakabe Even after all this...? [Then, gun shot broke a part of the building. It made AST members could see Princess was talking with someone, in the rain of gun bullets] Kusakabe Someone was down there with a Spirit! Hold on! Hold your fire! [At the time the gun smoke flew away around Princess and her company, Origami immediately recognized who was with the Spirit. She recognized Shido was down there. She contorted her face, activated her light sword, and she nose-dived to attack Tohka] Kusakabe Origami?! Get back here! [Down on the building, Tohka and Shido were continuing their conversation] Tohka What exactly was a Date? Shido Er...you don t know? Kotori Look out! The AST! [As Kotori warned Shido, Origami, falling from sky, slashed Tohka] Tohka How, rude! [Tohka blocked Origami s sword by her energy field. Origami landed in front of Shido] Shido What...Tobiichi?! Origami Stand back! Tohka [Well up?], is it you again? Origami He s not your shield! You scum! [In Origami s view, She thought Shido was captured by the Spirit] Shido ! You ve got it all wrong! Kusakabe What are you doing, Origami! We don t have orders to breaking in on foot! Tohka Sandalphon! [Tohka stomped the ground by her heel. Then, magic circle was drawn on the ground, and huge scabbard, taller than Tohka, wide as like door, materialized. Seeing it Kotori ordered Shido] Kotori Shido! Get out of there now! The Fraxinus will come retrieve you. Shido And leave her here alone? [Tohka pulled out a broad sword, swung. A great impact stormed Origami and Shido] Tohka Um! [Origami tried to block the shock wave, but she pushed back. Shido was dragged in] Origami, Shido Aaargh! [The building s wall collapsed, dust smoke rose from the building] Kusakabe You could ve been killed out there! Do you realize just how lucky you are she became lost?! [Captain s reprimand to Origami didn t drown out from noise of the helicopter which about to convey injured Origami s body. The sky had already turned into night] Kusakabe Exercise some restraint, OK? You re valuable member of AST, so stop acting like it! [Kusakabe yelled to Origami, who now pulled up by helicopter and leaving from the site] Shido (I was there when everything happened. ...Still, the massive destruction just doesn t seem real. But, yesterday was real...) [Next morning, Shido stood at the school building alone. School was closed due to destruction on last day. Shido stared the piece that once the part of blackboard hung on the class room. A scribbled name "Tohka" remained on it. Shido found the piece, and picked up it] Shido (It wasn t a dream at all...) Tohka Shido! Shido (That s right. I really did talk with Tohka, and gave her a name...Crazy) [Shido felt he heard Tohka s voice] Tohka Hey, Shido... Quit ignoring me! [It s not he imagined. Shido tuned back, and he looked Tohka standing on a pile of crumbled concrete blocks] Shido Tohka! Tohka You just now noticed me? Well, you are so dumb! Shido But, how did you wind-up back over here? The spatial alarm didn t even go on! Tohka Why would it? You were the one who invited me back! For a...date, I think? Shido Er... Tohka Well, guess what? It s time for that date! Let s go! Let s go! Let s go! Let s go! Let s go! Shido Okay! Just bring it down a bit! And, you should probably get out that first... Do you mind changing? [Shido pointed at Tohka s costume, a purple armor she wearing] Tohka Right now? You want me to undress in broad daylight? Shido No! Oh, that s not it! Er...Ah! Let me show one example. [Shido showed a photograph to her. Origami was displayed, and she was wearing school uniform] Tohka You think this outfit is better...? ...Why are you walking around with this picture? Shido Quit asking question. Just change already. Tohka Very well... [Tohka split the portrait of Origami in two, and dumped it. Then she raised her right hand, and instantly, she changed her cloths into the same school uniform Origami wore. Her dark purple straight hair tied up with red ribbon, the same kind of string she tied around her neck] Tohka How does this look? Shido Um...good. Tohka Glad you think so. Time for a date! END --- Shido Hey! Stop walking so fast! Tohka You re too slow, Shido! Date time, date time! Shido Oh, sure! Just announced to the entire world! [They were stepping aside the road which was packed by running ground force s vehicles] user-1532268104
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?xml version="1.0" encoding="windows-1251" ? string_table string id="mar_csky_leader_intro_dialog_0" text Willkommen zur・k in der Welt der Lebenden, Stalker. Wie f・lst du dich? /text /string string id="mar_csky_leader_intro_dialog_2" text Erinnerst du dich noch daran, was mit dir geschehen ist? /text /string string id="mar_csky_leader_intro_dialog_4" text Dir ist wohl zum Scherzen zumute, was? Das deutet darauf hin, dass du dich gut erholt hast. Mein Name ist Lebedew, ich bin der Anf・rer dieser Gruppe und f・ jeden hier verantwortlich... auch f・ dich, solange du dich hier aufh舁tst. Wir nennen uns Clear Sky und du befindest dich gerade in unserer Basis. Wir haben dich nach der Emission in den S・pfen aufgegabelt... /text /string string id="mar_csky_leader_intro_dialog_6" text Gl・k? Hmmm... das bezweifle ich. Da gibt es drei bisher unerkl舐liche Tatsachen Erstens hast du die Emission ・erlebt. Zweitens hat dich unsere Patrouille in den S・pfen gefunden, die haupts臘hlich aus endlosem Treibsand bestehen. Und drittens w舐st du beinahe von einer Horde Pseudohunden in St・ke gerissen worden, wenn unsere Jungs nicht rechtzeitig aufgetaucht w舐en. Solch eine Kette von Ereignissen kommt mir nicht vor wie einfaches Gl・k... Wie auch immer, ich muss jetzt etwas anderes erledigen. Lass uns sp舩er weiterreden. /text /string string id="mar_csky_barman_intro_dialog_0" text Hallo, Sdner! W臧rend du auﾟer Gefecht warst, bist du hier zu einer echten Legende geworden - nicht einmal du selbst w・dest einige der Ger・hte glauben, die ich so geht habe... ha ha! Aber egal, dieser Drink f・ einen verdammten Gl・kspilz geht aufs Haus! Er wird dich entspannen und dann kannst du mir in aller Ruhe deine Geschichte erz臧len. Ich platze vor Neugier! /text /string string id="mar_csky_barman_intro_dialog_2" text In Ordnung, dann trinkst du und ich erz臧le dir von diesem Ort. Hier war es mal recht ruhig... wir hatten uns um die Wege gek・mert, die richtigen Orte erforscht und die Zufahrtswege unter Kontrolle. Nat・lich sind die S・pfe nicht gerade ein Ferienparadies, aber immer noch besser als so manch anderer Ort. Jaa... es war also nicht schlecht. Bis zur letzten Emission - die grte, die wir je erlebt haben. Mittlerweile beten unsere Jungs zu Gott und dem Teufel gleichzeitig, bevor sie sich aus der Basis herauswagen, weil es stets an ein Wunder grenzt, wenn sie es heil wieder zur・kschaffen! Aber wir beiﾟen uns trotzdem durch, denn unsere Jungs sind nicht wegen des Profits hier, sondern k舂pfen f・ ihre Sache! /text /string string id="mar_csky_barman_intro_dialog_4" text Ich habe Flaschen gesammelt, eine nach der anderen, und sie haben mich direkt hierher gef・rt... Ha ha! Ach was, das war ein Witz! In Wahrheit gab es dort drauﾟen keinen Ort, der mich wollte und den ich wollte. Am Ende bin ich dann hierher gekommen... zuerst in die Zone, dann zu Clear Sky. Die Typen hier sind in Ordnung und ich werde hier gebraucht. Sie kommen zur・k nach einer Mission, ich schenke ihnen einen Drink ein, erz臧le ein paar dreckige Witze - und damit ist meine Arbeit getan... einfach, aber wirkungsvoll. Man nennt mich hier ・rigens Cold. /text /string string id="mar_csky_barman_intro_dialog_6" text In unserer Basis. Wie du siehst, handelt es sich dabei um so etwas wie einen kleinen, einsinkenden Bauernhof mitten in den romantischen, endlosen S・pfen. Ich kann dir die genaue Lage nicht sagen, aber auf jeden Fall ist dies hier der letzte Ort in der Zone, wo man ganz normale Menschen treffen kann. Menschen, die dich nicht ・ers Ohr hauen, dir ein Messer in den R・ken rammen oder dich verbluten lassen wie ein Schwein, nur um ein Medkit zu sparen! /text /string string id="mar_csky_barman_intro_dialog_8" text Weiﾟt du, warum du noch nie davon geht hast? Weil zu viele Leute etwas dar・er wissen wollen - und je weniger man ・er uns weiﾟ, desto besser! \nUnser Anf・rer heiﾟt Lebedew - ein Mann wie ein Felsen, wenn ich das so ausdr・ken darf. Er h舁t unsere ganze Gruppe zusammen. \nDann haben wir Beanpolew... Professor Beanpolew. Er ist ein wandelndes Lexikon und ein gottverdammter Computer in einem. Und weiﾟ mehr ・er die Zone als... na ja... egal... \nUnser Techniker heiﾟt Gray und er kann dir aus einer leeren Dose ein Gewehr samt Munition basteln. Bei ihm ist zwar die eine oder andere Schraube locker, aber sonst... \nUnd schlieﾟlich Suslow. Er ist ein H舅dler, aber nicht so wie die anderen seiner Branche. Er wird nicht versuchen, dir das Geld aus der Tasche zu ziehen - er weiﾟ, was Stalker durchmachen, um an ihre Beute zu kommen, und respektiert das. /text /string string id="mar_csky_doctor_about_me_1" text F・ einiges hast du schon ein grundlegendes Verst舅dnis, andere Dinge bed・fen einer genaueren Erkl舐ung. Eine unerkl舐liche Tatsache steht fest Du warst zwei Mal der Emission ausgesetzt und hast ・erlebt. Offensichtlich hast du nicht die hhste Strahlung abbekommen, denn dann w舐st du ohne Zweifel tot. Aber es scheint so, dass du Emissionsniveaus, die f・ andere Menschen tlich w舐en, ・erleben kannst. Das ist die grobe Erkl舐ung dessen, was geschehen ist. /text /string string id="mar_csky_doctor_about_me_3" text Es stimmt - einige deiner F臧igkeiten, wie etwa die motorischen F臧igkeiten, dein Reaktionsvermen und deine Ausdauer haben sich nach der Emission stark verbessert. Scheinbar hat die Emission deinem Kper Energie zugef・rt... aber dieser kurzen Phase der St舐ke ist ein starker kperlicher Verfall gefolgt, dessen Folgen du gerade sp・st. \nZusammenfassend muss ich dir etwas mitteilen, was du schon weiﾟt Die Emissionen zersten dein Nervensystem. Wenn sie weiterhin auftreten, wirst du sterben oder - noch schlimmer - deinen Verstand und dein "Selbst" verlieren! /text /string string id="mar_csky_doctor_about_me_5" text Leider nein. Das einzige, was ich f・ dich tun kann, ist, die Wirkung der Emissionen auf deinen Kper zu mildern. Momentan f・re ich eine Reihe von Untersuchungen durch und wenn Lebedew die Ergebnisse best舩igt, werde ich in der Lage sein, die erforderlichen Vorkehrungen zu treffen. Dennoch mhte ich ein weiteres Mal betonen, dass es sich hierbei nicht um ein Allheilmittel handelt und es das Problem nicht len wird. Du bekommst nur ein wenig mehr Zeit, bevor dein Nervensystem zusammenbricht. /text /string string id="mar_csky_doctor_about_me_7" text Nun ja, das ist alles. Abgesehen davon werde ich versuchen, deine Fragen zu beantworten... /text /string string id="mar_csky_doctor_about_people_1" text Die Menschen nehmen irrigerweise an, dass sie die wahre Natur der Zone verstehen. Manche glauben, dass es sich dabei um das Be an sich handelt, andere wiederum halten die Zone f・ ein Wunder, das zu den Menschen geschickt wurde... wieder andere sehen in ihr nichts weiter als eine Quelle f・ Reicht・er. Sie liegen alle falsch! Man kann die Zone nicht verstehen, wenn man sie aus der menschlichen Warte aus betrachtet. ﾜberhaupt sind die Menschen noch gar nicht so weit, die Zone zu verstehen. Daher sind sowohl die Aktionen der Regierung als auch der Stalker im Zusammenhang mit der Zone fehlgeleitet und ich bef・chte, dass sie vollkommen unabsehbare Konsequenzen nach sich ziehen werden. Dies stellt eine f・chterliche Gefahr f・ uns alle dar! /text /string string id="mar_csky_doctor_about_zone_1" text Ach junger Mann, wenn ich nur die Antwort auf diese Frage h舩te... wir untersuchen die Zone akribisch, um das herauszufinden! \nDie Zone ist als Resultat von... sagen wir... "missgeleiteten" Handlungen der Menschen entstanden, und wir sind nicht in der Lage, den Ursprungszustand wiederherzustellen. Die Zone kann nicht zerstt werden und verschwindet auch nicht von selbst. Wir, Clear Sky, sind der Meinung, dass es nur einen Weg gibt, wie die Menschen ・erleben knen durch Koexistenz mit der Zone. /text /string string id="mar_csky_doctor_about_zone_3" text Wie erkl舐e ich das am besten? Lass es mich so ausdr・ken Jedes komplexe System in der Natur, und das schlieﾟt die Zone mit ein, strebt nach einem Gleichgewicht, solange keine destabilisierenden Kr臟te von auﾟen wirken. In den vergangenen Jahren war das hier der Fall - die Zone war stabil und es gab keine greren Abweichungen von der Norm. Und was ist jetzt? Wir haben eine gigantische Emission erlebt, die die Zone grundlegend ver舅dert hat. Das System ist instabil geworden, wurde gestt. Die Zone erzeugt eine Emission nach der anderen und pumpt sich mit derart viel Energie auf, dass meine Messger舩e durchdrehen! Und sofern wir keinen Weg finden, diesen Vorgang r・kg舅gig zu machen, wird eine Katastrophe eintreten, die den Unfall von 1986 wie eine Silvesterparty erscheinen l舖st! \nDie wichtigste Lektion, die man aus dieser ganzen Sache ziehen muss, ist, dass diese "Stung" im System nicht nat・lichen Ursprungs ist, sondern eindeutig von Menschen verursacht wurde... /text /string string id="mar_csky_doctor_about_zone_5" text Das versuchen wir herauszufinden. Vielleicht wird es uns dabei helfen, die Katastrophe zu verhindern, wenn wir wissen, wer das Gleichgewicht der Zone gestt hat. /text /string string id="mar_csky_doctor_about_zone_7" text Da die Menschen dieses Chaos verursacht haben, knen sie durchaus auch in der Lage sein, es wieder zu bereinigen. Auf jeden Fall hoffe ich das sehr... /text /string string id="mar_csky_doctor_about_zone_9" text Ich f・chte, auf diese Frage habe ich keine Antwort. Du solltest sie Lebedew stellen. /text /string string id="mar_csky_doctor_hello_dialog_0" text Es freut mich, dich zu sehen, junger Mann. Du siehst deutlich besser aus. /text /string string id="mar_csky_leader_choose_dialog_1" text Leider ja. Also, wirst du uns helfen? /text /string string id="mar_csky_leader_intro2_dialog_0" text Warst du an der frischen Luft? Du siehst auf jeden Fall besser aus. \nIch werde dir die Lage schildern. \nDu befindest dich in der Basis von Clear Sky. Versuch nicht, dich daran zu erinnern, wer wir sind - du hast noch nie von uns geht, und das mit gutem Grund. Unser Ziel ist die Erforschung der Zone. \nWir sind der Meinung, dass die Zone erforscht und verstanden werden muss, damit die Menschheit weiﾟ, womit sie es zu tun hat. Die Zone zu verstehen, ist der Schl・sel zur Koexistenz mit ihr. Denn die Zone ist ohne Zweifel das wundersamste Ph舅omen, mit dem es die Menschen bisher in ihrer gesamten Geschichte zu tun gehabt haben! /text /string string id="mar_csky_leader_intro2_dialog_10" text Wir haben hier momentan einige Schwierigkeiten. Die Emission hat die Anzahl der Anomalien in den S・pfen verringert. Deswegen ist das Gebiet f・ Banditen und anderes Gesindel leichter zug舅glich geworden. Es sind so viele, dass sie schon bald unsere Basis ・errennen werden, wenn wir nicht etwas dagegen unternehmen! Das Problem ist, dass wir nicht unbedingt die geborenen K舂pfer sind; aus diesem Grund haben wir immer mehr an Boden verloren. Aber du... schon auf den ersten Blick erkenne ich, dass du ein Profi in diesen Dingen bist! Deine Erfahrung kann hier viele Leben retten. /text /string string id="mar_csky_leader_intro2_dialog_2" text Wie ich gesagt habe Wir sind Forscher. Wir versuchen, die Natur der Zone zu ergr・den, ihre Ursache in Erfahrung zu bringen und die Regeln ihres Bestehens zu erfassen. Wir sind nicht auf Geld aus, gieren nicht nach Artefakten und interessieren uns nicht f・ Revierk舂pfe mit anderen Fraktionen. Das ist der Grund, warum wir uns hier in den S・pfen verstecken und uns auf unsere Forschung konzentrieren. \nUnsere St舐ke ist nicht der Kampf, sondern Wissen - das Wissen ・er die Zone, das wir im Laufe der Jahre gesammelt haben. Wir wissen mehr ・er die Zone als die Stalker und die Regierung zusammen und standen kurz davor, durch unsere Forschungen ein logisches und konsequentes Gesamtbild zu erhalten... bis vor einigen Tagen diese massive Emission auftrat... /text /string string id="mar_csky_leader_intro2_dialog_4" text Nein, die Emission war unglaublich stark... st舐ker als je zuvor. Sie war wie ein Tornado, der ・er die Zone zog und sie ver舅derte. Jetzt ist alles anders Die bekannten und relativ sicheren Gebiete sind nun hochradioaktiv und voller Anomalien, w臧rend man sich problemlos in anderen Bereichen der Zone aufhalten kann, die zuvor jahrelang unzug舅glich waren. Nicht einmal die besten und abgebr・testen Stalker wissen genau, was sie auf ihren bevorzugten Pfaden erwartet. \nAber auch die Menschen haben sich ver舅dert, was sofort deutlich wurde. Die Emission hat das empfindliche Gleichgewicht zwischen den Fraktionen zerstt, und deswegen f・ren sie nun Kriege um die Kontrolle ・er die Gebiete der Zone... \nMit anderen Worten, viele seltsame Dinge sind vorgefallen und ich kann das Ausmaﾟ dieser Ver舅derungen noch nicht ganz erfassen... immerhin ist die Emission erst ein paar Tage her. Wenn du mich fragst, ist das Seltsamste der letzten Tage die Tatsache, dass du ・erlebt hast. /text /string string id="mar_csky_leader_intro2_dialog_6" text Ich verstehe. Wie kann ich dir helfen? /text /string string id="mar_csky_leader_intro2_dialog_8" text Es ist nicht einfach, hier herauszukommen... nicht im Geringsten. Die S・pfe sind ein wahres Labyrinth aus Schilfgebieten und radioaktivem Treibsand und es wimmelt hier von schrecklichen Monstern und menschlichem Abschaum - wobei ich nicht sagen kann, was davon schlimmer ist. Nur jemand, der sich hier gut auskennt, kann dich sicher herausf・ren - und von diesen Leuten haben wir gerade einmal eine Handvoll... M舅ner, denen ich mein Leben anvertrauen w・de, ohne eine Sekunde zu zern. Leider ist das nicht so einfach, denn wenn ich dich gehen lasse, knte unser Geheimnis hier schon bald gel・tet werden. /text /string string id="mar_csky_leader_intro3_dialog_0" text Du hast die Emission schon wieder ・erlebt! Auch wenn mich das nicht wirklich ・errascht! Unsere Jungs haben dich in der N臧e des Turms gefunden, nachdem sich die Lage etwas beruhigt hatte. \nWeiﾟt du, Beanpolew hatte Recht Du trotzt jeder wissenschaftlichen Erkl舐ung! Er glaubt, dass du einige... sagen wir... "ungewnliche" F臧igkeiten erlangt hast; diese helfen dir, anormale Umst舅de zu ・erleben, die andere Menschen buchst臙lich in ihre einzelnen Atome zerlegen w・den. Zudem scheint etwas die Leistungsf臧igkeit deines Kpers in manchen Bereichen auf eine Art und Weise zu erhen, die den Messbereich unserer Ger舩e sprengt. Halt, halt... nur nicht ・erm・ig werden. Wie immer gibt es auch in diesem Fall die Kehrseite der Medaille Jede Emission zieht dein Nervensystem in Mitleidenschaft. Und wenn das so weitergeht, wirst du daran sterben! /text /string string id="mar_csky_leader_intro3_dialog_10" text Du hast Recht, aber wir wissen, wie man eine Katastrophe verhindern und die Emissionen stoppen knte. Und das will was heiﾟen... /text /string string id="mar_csky_leader_intro3_dialog_12" text Wir m・sen herausfinden, wer im Zentrum der Zone war, und diese Leute um JEDEN Preis aufhalten. /text /string string id="mar_csky_leader_intro3_dialog_14" text Zwischen dir und der Zone existiert eine seltsame Verbindung. Auf der einen Seite bringt dich jede Emission dem Tod ein St・k n臧er. Aber auf der anderen Seite ・erlebst du in Situationen, in denen andere Menschen nicht den Hauch einer Chance h舩ten. Mein Gef・l sagt mir, dass deine F臧igkeiten... dein Segen, dein Fluch, wie auch immer... dass sie daf・ sorgen, dass du an Orte gelangen kannst, von denen andere nur tr舫men knen. Und gerade jetzt m・sen wir sehr schnell handeln. /text /string string id="mar_csky_leader_intro3_dialog_16" text Ich wusste, dass du das fragen w・dest. Die Antwort ist einfach Wenn die Emissionen nicht aufhen, wird dein Nervensystem quasi ausbrennen - und du wirst sterben. Hilf uns und du hilfst dir selbst. Auch wenn das jetzt wie in einem schlechten Film klingt Du hast keine andere Wahl. /text /string string id="mar_csky_leader_intro3_dialog_2" text Eine normale Emission ist eine Freisetzung von Energie, die sich in der Zone aufgestaut hat... eine Entladung sozusagen. Aber was momentan geschieht, ist etwas ganz anderes! \nMeiner Meinung nach stellt die zunehmende H舫figkeit dieser Emissionen die Reaktion der Zone auf eine wie auch immer geartete Gefahr dar, wie etwa die Abwehrreaktion des menschlichen Immunsystems gegen Krankheitserreger. Die Koexistenz von Mensch und Zone vern・ftig zu erkl舐en, ist schwierig. Die Zone toleriert uns in einigen Gebieten, w臧rend sie uns den Zugang zu anderen Gebieten nicht gew臧rt. Alles jenseits des Schmelzers und in Richtung des Zentrums ist tabu - Orte, die Stalker nie betreten d・fen. Ich glaube, die j・gsten Ereignisse in der Zone sind darauf zur・kzuf・ren, dass jemand dieses Tabu gebrochen und nicht am Hirnschmelzer Halt gemacht hat. /text /string string id="mar_csky_leader_intro3_dialog_4" text Schwer zu sagen. Um diese Frage zu beantworten, m・ste ich wissen, was sich im Zentrum der Zone befindet. Manche sagen der Monolith, andere behaupten der Wunschgner... weniger Abgedrehte tr舫men von ganzen Feldern voller seltener Artefakte... Als junger Spezialist war ich selbst schon einmal beim Kraftwerk, aber ich weiﾟ nicht, wie es jetzt dort aussieht. Alles, was ich sagen kann, ist, dass der Schmelzer nicht ohne Grund aufgetaucht ist. Er sorgt daf・, dass man das Zentrum der Zone nicht betreten kann. Die Menschen knen den Hirnschmelzer nicht passieren. /text /string string id="mar_csky_leader_intro3_dialog_6" text Das habe ich bis zur groﾟen Emission nicht gedacht. Verflucht, keiner hat das. Wenn man die Emissionen jedoch als eine Abwehrreaktion interpretiert, liegt die Antwort auf der Hand Jemand ist am Schmelzer vorbeigekommen und die Zone hat darauf mit der Emission reagiert. Und da die Emissionen nicht aufhen, muss dieser Jemand noch am Leben sein. Die Zone versucht, den Eindringling auszuschalten, und tet dabei jedes Leben. /text /string string id="mar_csky_leader_intro3_dialog_8" text Ich weiﾟ eine Menge ・er die Zone, aber ich kann dir nicht alles verraten. Bei manchen Dingen musst du mir einfach vertrauen. \nEin System - jedes System - strebt nach einem Gleichgewicht. Die Zone befindet sich momentan in einem instabilen Zustand und die Instabilit舩 nimmt zu. Wenn die st舅digen Emissionen nicht gestoppt werden, wird die Zone so instabil werden, dass es auf jeden Fall zu einer Katastrophe kommen wird. Das bringt uns zu dem, was Clear Sky macht - wir versuchen, diese Katastrophe zu verhindern. /text /string string id="mar_csky_leader_tutorial_dialog_0" text Genug geredet! Unser Auﾟenposten wird erneut angegriffen... hilf uns dabei, den Angriff abzuwehren! \nFalls es irgendeinen Unterschied f・ dich macht Einige der M舅ner, die dich gerettet haben, befinden sich gerade dort. \nWeiﾟt du noch, wie man in der Zone ・erlebt? /text /string string id="mar_csky_leader_tutorial_dialog_21" text Groﾟartig! Begib dich zum H舅dler, er wird dir eine Grundausr・tung verpassen. Gehe danach zum Auﾟenposten. Sobald du die Basis verlassen hast, he auf meine Anweisungen - ich werde dich f・ren. /text /string string id="mar_csky_tehnik_about_dialog_1" text Sieh selbst Es sind kaum Ausr・tungsgegenst舅de da - es ist wie nach einem nuklearen Krieg! Wenn wir etwas in die H舅de bekommen, dauert es nicht sehr lange, bis es ausf舁lt. Und hier in der Gegend kann man kaum etwas finden, womit sich das Zeug reparieren l舖st. Deswegen muss ich das Beste aus dem machen, was ich in die Finger kriege. Erst letzte Woche musste ich einen Funkempf舅ger bauen. Was meinst du, was ich daf・ hernehmen musste? Ganz genau, einen gottverdammten K・lschrank! Hah! Ich weiﾟ nicht, ob ich lachen oder weinen soll... /text /string string id="mar_csky_tehnik_about_dialog_3" text Ja, diese Gegend ist nicht besonders aufregend. Nicht so wie auf der M・lhalde... ich habe geht, dass sie dort alte Sowjet-Verstecke gefunden haben! Nach dem Tschernobyl-Unfall wurden Konvois mit verstrahlten Fahrzeugen, Ausr・tungsteilen und so weiter dorthin verfrachtet... sie dachten, das w舐e alles nichts mehr wert wegen der Radioaktivit舩! Das war damals! Heutzutage w・de das niemand radioaktiv nennen, daher herrscht dort so etwas wie ein neuer Goldrausch. Stalker aus der ganzen Zone schw舐men dorthin, um nach Beute zu graben. Leider kommt davon nur wenig hier an, auﾟer Lebedew schickt seine M舅ner auf die M・lhalde, um bestimmte Ersatzteile zu holen... /text /string string id="mar_csky_tehnik_about_dialog_5" text Nichts Besonderes. Ich repariere und erweitere Waffen und Schutzanz・e... im Grunde genommen mache ich alles, was getan werden muss. Wenn du etwas reparieren lassen willst, bist du bei mir goldrichtig. \nAch, wenn ich ein paar entsprechende Ersatzteile h舩te, w・de ich wirklich einige nette Spielsachen f・ die Jungs zusammenbauen! Waffen, Schutzanz・e, Ausr・tung... das w舐e alles nochmal ne Ecke besser! \nDenk daran Wenn du etwas Interessantes findest, bring es zu mir, und ich hole alles aus dem Zeug raus - versprochen! /text /string string id="mar_csky_trader_intro2_dialog_0" text Oh, sei gegr・t, Gast aus der Fremde! Was f・rst du mit dir? Einen berstenden Geldbeutel oder ausgezeichnete, exotische Wunder? /text /string string id="mar_csky_trader_intro2_dialog_10" text Ja, ich weiﾟ. Aber egal, ich habe wieder einmal zu viel geredet. Zeit ist Geld und wenn du handeln willst, dann los. Falls nicht - schen Tag noch. /text /string string id="mar_csky_trader_intro2_dialog_2" text Ja, ich habe deine Geschichte geht. Ich denke, das Wichtigste ist, dass du noch am Leben bist... Gegenst舅de lassen sich leicht genug ersetzen, wenn dich die Zone gut behandelt. Also, wollen wir handeln oder hast du Fragen? /text /string string id="mar_csky_trader_intro2_dialog_4" text Genau so sind wir! Unser Ruf mag zwar nicht der beste sein, aber wir H舅dler werden trotzdem ・erall gebraucht. Selbst in der Zone, selbst in den S・pfen, selbst unter der Erde! \nEs ist eine Illusion zu glauben, dass die Zone Sperrgebiet ist und die Armee alle Wege hinein und hinaus kontrolliert. Denk mal dar・er nach, heutzutage kann man Artefakte und seltene Gegenst舅de aus der Zone ・erall auf der Welt kaufen... und deinen Stalker-Kollegen mangelt es nie an Wodka, Munition oder Ausr・tung - wer, glaubst du, sorgt daf・, hmm? Genau da kommen wir ins Spiel. Der Handel hier ist aber nicht so etwas wie kopierte CDs auf dem Marktplatz zu verkaufen und ab und an vor der Polizei wegzulaufen! \nDie Situation hier ist eigentlich ziemlich einfach zu beschreiben Die Auﾟenwelt interessiert sich f・ die Zone und umgekehrt, aber offiziell ist das verboten, untersagt und weiﾟ der Teufel was! Deswegen gibt es uns... wir sorgen daf・, dass dieses Interesse gestillt wird und jeder gl・klich ist. Unter den H舅dlern erz臧lt man sich einen netten, kleinen Witz Wenn jemand eine Waffe auf dich richtet, ・erlebst du am ehesten, wenn du sie ihm abkaufst! /text /string string id="mar_csky_trader_intro2_dialog_6" text Lass uns nicht dar・er sprechen! Du kannst dir nicht vorstellen, wie satt ich es habe, dieses Zeug hier zu verhern! Da drauﾟen liegen tausende Artefakte herum, aber die besten landen nie hier. Schon seit langer Zeit habe ich keinen besonderen Gegenstand mehr in meinem Laden verkauft. /text /string string id="mar_csky_trader_intro2_dialog_8" text Wer weiﾟ? Vielleicht haben die Stalker ja schon alles gefunden, was man finden kann... Mann, den Schmelzer zu passieren, w舐e ein Traum. Es heiﾟt, dass man dahinter mehr Artefakte finden kann, als man in seinem ganzen Leben verkaufen knte... vorausgesetzt nat・lich, dass man dort nicht gleich ins Gras beiﾟt. Es ist an der Zeit, dass wir H舅dler uns zusammenschlieﾟen und einen Weg finden, an diesem Schmelzerding vorbeizukommen... /text /string string id="mar_csky_trader_intro_dialog_0" text Endlich! Hier, nimm diese Grundausr・tung - sie ist speziell f・ Patrouilleneins舩ze gedacht. /text /string string id="mar_csky_trader_intro_dialog_2" text Ich habe die Anweisung, dir deine Ausr・tung zu ・ergeben. Wir haben keine Zeit f・ Fragen... die M舅ner brauchen deine Hilfe! /text /string string id="mar_csky_leader_choose_dialog_111" text Dann h gut zu. Wir haben alle unsere Kontakte und Verbindungen in der Zone spielen lassen. Jetzt wissen wir, dass ein gewisser Stalker beim Kordon Sidorowitsch nach sehr seltsamen Ersatzteilen gefragt hat. Das ist alles, was wir bisher haben, aber es ist immerhin eine Spur. /text /string string id="mar_csky_leader_choose_dialog_11111" text Durch die S・pfe nat・lich, wie sonst? Aber denke daran, was ich gesagt habe Nach der Emission ist in dem Gebiet jede Art von Abschaum aufgetaucht. Jetzt haben sie fast alles unter Kontrolle - wir werden belagert und damit ・ertreibe ich nicht im Geringsten! Bevor wir dir also helfen knen, zum Kordon zu gehen, m・sen wir erst wieder die Kontrolle ・er die S・pfe erlangen. Und mit deiner Hilfe ist das mlich, denke ich. /text /string string id="mar_csky_leader_choose_dialog_211" text Nun, du hast noch Zeit zum Nachdenken. Nicht sehr viel allerdings. Komm zur・k, wenn du bereit bist. /text /string string id="mar_csky_leader_hello_dialog_11" text Geh am besten zur Bar und gne dir einen guten Drink. Komm dann wieder her. Jetzt momentan hat es keinen Sinn, mit dir zu reden - du siehst so aus, als ob dir jemand das Hirn verdreht h舩te. /text /string string id="mar_csky_leader_hello_dialog_21" text Was tust du noch hier? Geh und hol dir sofort bei Suslow deine Ausr・tung ab. /text /string string id="mar_csky_leader_hello_dialog_31" text Du hast die Ausr・tung? Gut, dann verschwende keine Zeit! Begib dich zum Auﾟenposten, auf geht s! /text /string string id="mar_csky_leader_hello_dialog_41" text Es ist in deinem eigenen Interesse, uns zu helfen. Auﾟer nat・lich, wenn du den Rest deines Lebens als hirnloses St・k Fleisch verbringen willst. /text /string string id="mar_csky_leader_hello_dialog_91" text Leg los, Kumpel. /text /string string id="mar_csky_barman_hello_dialog_11" text Du solltest besser zu Lebedew gehen - er ruft nicht grundlos Leute zu sich. /text /string string id="mar_csky_barman_hello_dialog_21" text Kein guter Zeitpunkt zum Plaudern, mein Freund. Hast du es nicht mitbekommen? Der zweite Auﾟenposten wird angegriffen. Wie w舐e es, wenn du ihnen hilfst, hmm? /text /string string id="mar_csky_barman_hello_dialog_31" text Hallo, Mr. Zwei-Emissionen-Aber-Ich-Lebe-Noch! Ich glaube, Lebedew wollte dich sprechen. Warum gehst du nicht zu ihm, bevor dich eine dritte Emission trifft? Ha ha! /text /string string id="mar_csky_barman_hello_dialog_41" text Was gibt s Neues, Bruder? /text /string string id="mar_csky_tehnik_hello_dialog_11" text Verdammt Kumpel, du siehst erb舐mlich aus! Du brauchst frische Luft oder sowas. Apropos frische Luft, wir haben hier eine Open-Air-Bar. /text /string string id="mar_csky_tehnik_hello_dialog_21" text Ich glaube, Lebedew will dich sehen. Du solltest am besten zu ihm gehen. In der Zwischenzeit werde ich einige der Kanonen reparieren... wie immer mit diesem M・l hier. /text /string string id="mar_csky_tehnik_hello_dialog_31" text Du hast doch das Hilfe-Signal vom zweiten Auﾟenposten geht, oder? Geh und hilf ihnen! /text /string string id="mar_csky_tehnik_hello_dialog_41" text Hallo, Supermann der Zone! Ich habe geht, dass Lebedew sich in deinem Glanze sonnen will! Geh und sprich mit ihm. /text /string string id="mar_csky_tehnik_hello_dialog_91" text Was gibt s? /text /string string id="mar_csky_trader_hello_dialog_11" text Mein Gott, du bist blasser als meine tote Oma! Was du brauchst, ist ein guter Drink in der Bar! /text /string string id="mar_csky_trader_hello_dialog_21" text Du siehst ziemlich gut aus... zumindest f・ jemanden, der gerade eine Emission ・erlebt hat. Was dir helfen wird, ist, bei Lebedew am Feuer zu sitzen... /text /string string id="mar_csky_trader_hello_dialog_31" text Wir knen sp舩er reden. Jetzt wirst du am Auﾟenposten gebraucht - los! /text /string string id="mar_csky_trader_hello_dialog_41" text Meine G・e! Du solltest zu Lebedew gehen... ein Drink wird da nichts n・zen. /text /string string id="mar_csky_trader_hello_dialog_91" text Willst du handeln? /text /string string id="mar_csky_barman_hello_dialog_111" text Okay. /text /string string id="mar_csky_barman_hello_dialog_211" text Alles klar. /text /string string id="mar_csky_barman_hello_dialog_311" text Wirklich unglaublich witzig! /text /string string id="mar_csky_barman_intro_dialog_1" text Es gibt nicht viel zu erz臧len. Ich habe gerade eine Gruppe Wissenschaftler durch die S・pfe gef・rt, als wir plzlich von einer Emission ・errascht wurden. Danach kann ich mich an nichts mehr erinnern... Ich bin erst hier wieder aufgewacht. Also, erz臧l du mir, was passiert ist. /text /string string id="mar_csky_barman_intro_dialog_3" text Wie bist du hierher gekommen? /text /string string id="mar_csky_barman_intro_dialog_5" text ﾄhm, was diesen Ort angeht... Kannst du mir verraten, wo wir hier sind? /text /string string id="mar_csky_barman_intro_dialog_7" text Ich kenn mich in der Zone eigentlich ganz gut aus, aber von Clear Sky hab ich noch nie etwas geht. Wie laufen die Dinge hier? /text /string string id="mar_csky_barman_intro_dialog_9" text ... /text /string string id="mar_csky_doctor_about_me_0" text Was ist passiert? /text /string string id="mar_csky_doctor_about_me_2" text Ich bin ganz durcheinander. Alles f・lt sich so komisch an... /text /string string id="mar_csky_doctor_about_me_4" text Knen Sie die Zerstung meines Nervensystems verhindern? /text /string string id="mar_csky_doctor_about_me_6" text Knen Sie sonst irgendetwas f・ mich tun? /text /string string id="mar_csky_doctor_about_people_0" text Ich habe in der Zone alle mlichen Leute gesehen. Manche kommen her, um ihren Tr舫men hinterherzujagen, andere suchen hier nach den Wundern, die die Zone bereith舁t, und wieder andere sind einfach auf der Suche nach mlichst viel Beute. Warum untersucht Clear Sky die Zone? /text /string string id="mar_csky_doctor_about_zone_0" text Was ist die Zone eigentlich? /text /string string id="mar_csky_doctor_about_zone_2" text Warum gibt es in der Zone diese Ersch・terungen? Wissen Sie irgendetwas dar・er? /text /string string id="mar_csky_doctor_about_zone_4" text Ich w・schte, ich w・ste, wer daf・ verantwortlich ist... /text /string string id="mar_csky_doctor_about_zone_6" text Ob die Menschen das wieder in Ordnung bringen knen? /text /string string id="mar_csky_doctor_about_zone_8" text Hm... und wie genau knte das funktionieren? /text /string string id="mar_csky_guide_at_base_dialog_11" text H auf, hier nur rumzuh舅gen. Du hast Gesch臟te mit Lebedew? Dann tu, was er sagt, Punkt. /text /string string id="mar_csky_guide_at_base_dialog_111" text Ich find s schon alleine raus, danke. /text /string string id="mar_csky_guide_at_base_dialog_21" text Bist du bereit, zum Auﾟenposten aufzubrechen? /text /string string id="mar_csky_guide_at_base_dialog_211" text Das bin ich. /text /string string id="mar_csky_guide_at_base_dialog_2111" text Gut. Ich werde dir die Augen verbinden, solange wir unterwegs sind. Das musst du verstehen - wir m・sen den Weg geheim halten. /text /string string id="mar_csky_guide_at_base_dialog_21111" text Okay. /text /string string id="mar_csky_guide_at_base_dialog_212" text Noch nicht. /text /string string id="mar_csky_guide_at_base_dialog_2121" text Dann mach schnell. /text /string string id="mar_csky_guide_at_base_dialog_21211" text Alles klar. /text /string string id="mar_csky_guide_at_base_dialog_31" text Ich f・re dich nicht durch die S・pfe. Befehl von Lebedew. /text /string string id="mar_csky_guide_at_base_dialog_311" text Verstehe. /text /string string id="mar_csky_guide_at_base_dialog_41" text Ich soll dich also zu den Groﾟen S・pfen f・ren? /text /string string id="mar_csky_guide_at_base_dialog_411" text Ja. /text /string string id="mar_csky_guide_at_base_dialog_4111" text Du kennst die Regeln - dir werden die Augen verbunden. Wenn du meine Schulter nicht losl舖st, wird dir nichts geschehen. /text /string string id="mar_csky_guide_at_base_dialog_41111" text Okay. /text /string string id="mar_csky_guide_at_base_dialog_412" text Noch nicht. /text /string string id="mar_csky_guide_at_marsh_dialog_11" text Sehr gut. Soll ich dich zu unserer Basis f・ren? /text /string string id="mar_csky_guide_at_marsh_dialog_111" text Ja. /text /string string id="mar_csky_guide_at_marsh_dialog_1111" text Gut, dann leg dir das hier ・er die Augen und lass meine Schulter nicht los, bis ich es sage. /text /string string id="mar_csky_guide_at_marsh_dialog_11111" text Gehen wir. /text /string string id="mar_csky_guide_at_marsh_dialog_112" text Noch nicht. /text /string string id="mar_csky_leader_choose_dialog_0" text Da hab ich mir aber was eingebrockt, was? /text /string string id="mar_csky_leader_choose_dialog_11" text Ja. /text /string string id="mar_csky_leader_choose_dialog_1111" text Wenigstens etwas. Wie gelange ich zum Kordon? /text /string string id="mar_csky_leader_choose_dialog_111111" text Verstanden. /text /string string id="mar_csky_leader_choose_dialog_21" text Nein, ich brauche etwas Zeit zum Nachdenken. /text /string string id="mar_csky_leader_choose_dialog_2111" text Abgemacht. /text /string string id="mar_csky_leader_hello_dialog_111" text Ich verstehe schon. /text /string string id="mar_csky_leader_hello_dialog_211" text Okay. /text /string string id="mar_csky_leader_hello_dialog_311" text Jup. /text /string string id="mar_csky_leader_hello_dialog_911" text Ich bin nur kurz vorbeigekommen. Ich muss gleich wieder los. /text /string string id="mar_csky_leader_intro2_dialog_1" text Warum versteckt ihr euch? /text /string string id="mar_csky_leader_intro2_dialog_11" text ... /text /string string id="mar_csky_leader_intro2_dialog_3" text Ja und? Wird wohl eine der Emissionen sein, dier hier immer wieder auftreten... /text /string string id="mar_csky_leader_intro2_dialog_5" text Wenn ich w・ste, wie ich ・erlebt habe, w・de ich s dir sofort erz臧len. Aber ich kann mich an nichts erinnern... /text /string string id="mar_csky_leader_intro2_dialog_7" text Ich sollte besser gehen. Ich bin ziemlich geschafft, aber ich kann mich immer noch auf den Beinen halten. Wie komm ich hier raus? /text /string string id="mar_csky_leader_intro2_dialog_9" text Was willst du damit sagen? /text /string string id="mar_csky_leader_intro3_dialog_1" text Warum kommt es so oft zu Emissionen? /text /string string id="mar_csky_leader_intro3_dialog_11" text Du hast ziemlich viel Selbstvertrauen. Also, was hast du vor? /text /string string id="mar_csky_leader_intro3_dialog_13" text Und warum erz臧lst du das ausgerechnet mir? /text /string string id="mar_csky_leader_intro3_dialog_15" text Hm... Ich weiﾟ nicht, ob ich mich da einmischen soll. Warum sollte ich? /text /string string id="mar_csky_leader_intro3_dialog_3" text Jemand ist am Schmelzer vorbeigekommen? Stellt das eine Gefahr f・ die Zone dar? /text /string string id="mar_csky_leader_intro3_dialog_5" text Gibt es vielleicht doch einen Weg am Schmelzer vorbei? Eine theoretische Chance? /text /string string id="mar_csky_leader_intro3_dialog_7" text Welche Gefahr geht von diesen Emissionen aus? /text /string string id="mar_csky_leader_intro3_dialog_9" text Die Katastrophe verhindern? Ihr schafft es doch noch nicht einmal, gegen die Banditen zu bestehen. /text /string string id="mar_csky_leader_intro_dialog_1" text Mein Kopf brummt... und alles dreht sich... Ich f・l mich ziemlich miserabel. /text /string string id="mar_csky_leader_intro_dialog_3" text Ich weiﾟ noch, dass ich eine Expedition durch die S・pfe gef・rt habe. Ein paar Wissenschaftler. Dann... die Emission... Das war s. Wo bin ich? Bin ich im Himmel? Aber warum sieht er so aus wie die Zone? /text /string string id="mar_csky_leader_intro_dialog_5" text Oh. Dann hab ich wohl Gl・k gehabt... /text /string string id="mar_csky_leader_tutorial_dialog_111" text Okay. /text /string string id="mar_csky_leader_tutorial_dialog_2" text Ich kann mich teilweise daran erinnern. /text /string string id="mar_csky_tactic_about_me_dialog_0" text Was machst du hier? /text /string string id="mar_csky_tactic_about_me_dialog_1" text Ich ruh mich aus. Dabei versuche ich, die Informationen, die mir die Jungs geben, so gut es geht zusammenzusetzen und unserem k・nen Anf・rer vorzulegen. Du siehst, wir Ortskundigen sind die Augen und Ohren von Clear Sky in den S・pfen. /text /string string id="mar_csky_tactic_hello_dialog_11" text Mann, ich hab seit drei Tagen nicht geschlafen... oder sind es schon vier? Lass mich ein bisschen schlafen, okay? /text /string string id="mar_csky_tactic_hello_dialog_111" text Okay. /text /string string id="mar_csky_tactic_hello_dialog_21" text Mann, bitte... /text /string string id="mar_csky_tactic_hello_dialog_211" text Schon gut, schon gut, ruh dich aus. /text /string string id="mar_csky_tactic_hello_dialog_31" text Warte kurz. Zu den Groﾟen S・pfen zu gelangen, ist einfach - unsere Ortskundigen werden dich hingeleiten. Aber wenn du dort ・erleben willst, musst du einiges ・er die taktische Lage dort lernen, und ・er die neuen Funktionen deines PDA. Also, wenn du mehr dar・er wissen willst, frag einfach. /text /string string id="mar_csky_tactic_hello_dialog_41" text In den S・pfen versumpfst du schneller, als du denkst. Dort wimmelt es nur so von Banditen und Monstern. Es ist fast schon eine Belagerung. /text /string string id="mar_csky_tactic_hello_dialog_51" text Nat・lich haben wir einen Fuﾟ in die Groﾟen S・pfe gesetzt, aber mehr als ein Fuﾟ ist es bisher noch nicht. Nicht die komfortabelste Situation, das kannst du mir glauben. /text /string string id="mar_csky_tactic_hello_dialog_61" text Die S・pfe sind sicher, jedenfalls so sicher, wie ein Sumpf sein kann. Aber von den Wegen nach drauﾟen knen wir das nicht gerade behaupten. /text /string string id="mar_csky_tactic_hello_dialog_71" text Du bist ganz sch z臧, mein Freund. Wir sind alle beeindruckt von dir, sogar die Ortskundigen. Wenn du zum Kordon willst, wartet einer von uns im Dorf s・tlich der S・pfe auf dich. /text /string string id="mar_csky_tactic_hello_dialog_81" text Alles in Ordnung? Dann werde ich mich mal wieder aufs Ohr hauen... /text /string string id="mar_csky_tactic_situation_dialog_0" text Wie sieht die taktische Lage aus? /text /string string id="mar_csky_tactic_situation_dialog_1" text Mit einem Wort beschissen. Mit zwei Worten absolut beschissen. Unsere K舂pfer knen die Groﾟen S・pfe kaum halten - sie werden fortw臧rend von Banditen und Monstern zur・kgedr舅gt. Es sind einfach zu viele. /text /string string id="mar_csky_tactic_situation_dialog_2" text Wir haben es geschafft, unsere Pr舖enz hier in den S・pfen zu festigen, aber die Banditen setzen uns noch immer heftig zu. Ihre andauernden ﾜberf舁le vom Bauernhof im Nordosten aus sind ziemlich... l舖tig, um es milde auszudr・ken. /text /string string id="mar_csky_tactic_situation_dialog_3" text Die S・pfe sind in unserer Hand bis auf ein paar vereinzelte Gebiete. Leider gehen dazu auch die Wege nach drauﾟen. Sie stehen noch immer unter Kontrolle des Feindes. /text /string string id="mar_csky_tactic_situation_dialog_4" text Mit einem Wort pr臘htig. Banditen und Monster nerven uns zwar immer noch hin und wieder, aber verglichen damit, wie es noch bis vor kurzem war, ist es jetzt der Himmel auf Erden. /text /string string id="mar_csky_tactic_task_dialog_0" text Was m・sen wir tun, um die S・pfe vollst舅dig zu kontrollieren? /text /string string id="mar_csky_tactic_task_dialog_1" text Die Zahl der Feinde verringern. Oder, einfach gesagt, so viele wie mlich von denen ausschalten, die auf uns schieﾟen. Wenn uns das nicht gelingt, haben die K舂pfer keine Chance, die S・pfe unter ihre Kontrolle zu bringen. /text /string string id="mar_csky_tactic_task_dialog_2" text Nimm den Bauernhof im Nordosten ein. Den Banditen dort geht es scheinbar zu gut. /text /string string id="mar_csky_tactic_task_dialog_3" text ﾜbernimm den Aussichtspunkt, von dem aus der Weg zum Kordon und zum Agroprom-Institut ・erblickt werden kann. Wenn es dir nicht gelingt, sind wir praktisch von der Auﾟenwelt abgeschnitten. /text /string string id="mar_csky_tactic_task_dialog_4" text Ausruhen? Wach auf, die S・pfe gehen uns. /text /string string id="mar_csky_tactic_tutorial_dialog_0" text Erkl舐e mir die neuen Funktionen meines PDA. /text /string string id="mar_csky_tehnik_about_dialog_0" text Hey! Wie l舫ft s, Herr Alleskner? /text /string string id="mar_csky_tehnik_about_dialog_2" text Tja, das ist halt kein Zuckerschlecken... /text /string string id="mar_csky_tehnik_about_dialog_4" text Und, was machst du ganz allgemein so? /text /string string id="mar_csky_tehnik_hello_dialog_111" text Ich weiﾟ, worauf du hinauswillst. /text /string string id="mar_csky_tehnik_hello_dialog_211" text Verstehe. /text /string string id="mar_csky_tehnik_hello_dialog_311" text Jep. /text /string string id="mar_csky_tehnik_hello_dialog_411" text Gut. /text /string string id="mar_csky_trader_hello_dialog_111" text Guter Gedanke. /text /string string id="mar_csky_trader_hello_dialog_211" text Gute Idee. /text /string string id="mar_csky_trader_hello_dialog_311" text Verstehe. /text /string string id="mar_csky_trader_hello_dialog_411" text Jep, danke f・ den Tipp. /text /string string id="mar_csky_trader_intro2_dialog_1" text Weder noch - leider. Ich wurde von einer Emission getroffen und bin nur knapp mit dem Leben davongekommen. Bin jetzt vollkommen blank. Die Emission scheint meine Sachen ・er die ganzen S・pfe verteilt zu haben... /text /string string id="mar_csky_trader_intro2_dialog_101" text Bis dann. /text /string string id="mar_csky_trader_intro2_dialog_3" text Ist schon erstaunlich... selbst mitten in den S・pfen in einer so geheimen Organisation wie dieser kann man auf einen H舅dler treffen... ha ha! /text /string string id="mar_csky_trader_intro2_dialog_5" text Verstehe. Allerdings kommt es mir so vor, als w・de dein Gesch臟t nicht so gut laufen. /text /string string id="mar_csky_trader_intro2_dialog_7" text Warum die kleine Auswahl? /text /string string id="mar_csky_trader_intro2_dialog_9" text Ihr seid nicht die Einzigen, die in dieser Richtung Ausschau halten. /text /string string id="mar_csky_trader_intro_dialog_1" text Danke. Hey, ist es hier immer so stressig? /text /string string id="mar_csky_trader_intro_dialog_3" text Ja. Bin weg. /text /string string id="mar_csky_guide_at_base_dialog_51" text Hey! Wo soll ich dich hinf・ren? /text /string string id="mar_csky_guide_at_base_dialog_511" text Zum Kordon. /text /string string id="mar_csky_guide_at_base_dialog_5111" text Mann, vielen Dank, dass du unseren Jungs geholfen hast. Ich weiﾟ schon gar nicht mehr, wie es ist, sicher durch die S・pfe zu kommen... jedenfalls so sicher, wie es die S・pfe am Rand der Zone erlauben. Wie auch immer, zur・k an die Arbeit. Knen wir gehen? /text /string string id="mar_csky_guide_at_base_dialog_51111" text Jup. /text /string string id="mar_csky_guide_at_base_dialog_511111" text Diesmal knen wir s ohne Augenbinde machen. Landest du im Treibsand, stirbt es sich umso scher, wenn du die Augen offen l舖st... War nur Spaﾟ! Halt die Augen offen und versuche, dir den Weg durch die S・pfe zu merken - n臘hstes Mal musst du es alleine schaffen. /text /string string id="mar_csky_guide_at_base_dialog_5111111" text Erwischt. /text /string string id="mar_csky_guide_at_base_dialog_51112" text Nein, ich muss hier erst etwas zu Ende bringen. /text /string string id="mar_csky_guide_at_base_dialog_5112" text Mmm, das ist ganz sch weit weg von hier... Na gut. Zeit f・ einen Spaziergang? /text /string string id="mar_csky_guide_at_base_dialog_512" text Zu deiner Basis. /text /string string id="mar_csky_guide_at_base_dialog_5121" text Okay. Leg die Augenbinde an und lass auf keinen Fall meine Schulter los. /text /string string id="mar_csky_guide_at_base_dialog_51211" text Gehen wir. /text /string string id="mar_csky_guide_at_base_dialog_513" text Zum Fischerdorf. /text /string string id="mar_csky_guide_at_base_dialog_514" text Zum zerstten Dorf. /text /string string id="mar_csky_guide_at_base_dialog_515" text Zum abgebrannten Bauernhof. /text /string string id="mar_csky_guide_at_base_dialog_516" text Zum Bauernhof im S・en. /text /string string id="mar_csky_guide_at_base_dialog_517" text Nirgendwohin. Bis sp舩er. /text /string string id="mar_csky_leader_intro_dialog_7" text ... /text /string /string_table
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Activity Coefficients at Infinite Dilution Dechema? J. Gmehling? D. Tiegs? A. Medina? M. Soares? J. Bastos? P. Alessi? I. Kikic? M. Schiller? J. Menke? Dechema? J.Gmehling? D.Tiegs? A.Medina? M.Soares? J.Bastos? P.Alessi? I.Kikic? M.Schiller? J.Menke? Substores-UnknownASINs-52? Subjects-Science-General North American Tunneling 2002 Proceedings of the North American Tunneling Conference 2002, 18-22 May 2002, Seattle,Washington, USA Aa Balkema? Wash.) North American Tunneling Conference 200 (2002 Seattle? Levent Ozdemir? AaBalkema? Wash.)NorthAmericanTunnelingConference200(2002Seattle? LeventOzdemir? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Subjects-Engineering-Civil-Construction-General? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Structural? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Structural? Subjects-Science-General Activity Coefficients at Infinite Dilution, Volume 9, Parts 1 and 2 (Dechema Chemistry Data Series) Scholium Intl? J. Gmehling? D. Tiegs? A. Medina? M. Soares? J. Bastos? P. Alessi? ScholiumIntl? J.Gmehling? D.Tiegs? A.Medina? M.Soares? J.Bastos? P.Alessi? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-52? Subjects-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Physical&Theoretical? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-Chemistry-Solutions&Colloids? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Embryology And Genetics Agrobios? Thomas Hunt Morgan? Agrobios? ThomasHuntMorgan? ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Science? Substores-UnknownASINs-54? Subjects-Medicine-BasicScience-Embryology? 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Subjects-Science-BiologicalSciences-Biology-General? Vapor-Liquid Equilibrium Data Collection Aqueous Systems (Chemistry Data Series) Scholium Intl? Jurgen Gmehling? U. Onken? J. R. Rarey-Nies? ScholiumIntl? JurgenGmehling? U.Onken? J.R.Rarey-Nies? Substores-UnknownASINs-52? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Physical&Theoretical-PhysicalChemistry? Subjects-Science-General Vapor-Liquid Equilibrium Data Collection/Part 3A Aldehydes, Supplement 1 (Dechema Chemistry Data Series Volume 1, Part 3a) Scholium Intl? Jurgen Gmehling? ScholiumIntl? JurgenGmehling? Substores-UnknownASINs-52? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Physical&Theoretical? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-General Glay Geosynthetic Barriers Proceedings of the International Symposium, Nuremberg, Germany, 16-17 April 2002 Aa Balkema? H. Zanzinger? 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Advances in Mechanics of Structures and Materials Proceedings of the 17th Australasian Conference (Acmsm17), Queensland, Aus Tralia, 12-14 June 2002 Aa Balkema? Y. C. Loo? S. H. Chowdhury? S. Fragomeni? AaBalkema? Y.C.Loo? S.H.Chowdhury? S.Fragomeni? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Structural? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Civil-Structural? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-General Subjects-Science-Reference-Engineering? Mine Ventilation Proceedings of the North American/Ninth Us Mine Ventilation Symposium, Kingston, Canada, 8-12 June 2002 Aa Balkema? E. De Souza? AaBalkema? E.DeSouza? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Mining? Subjects-Engineering-Civil-Environmental-Mining? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-Civil-Environmental-Mining? Subjects-Science-EarthSciences-Prospecting&Mining? Subjects-Science-General Recycling of Used Oils D Reidel Pub Co? France) European Congress on the Recycling of Used Oils (2nd 1980 Paris? DReidelPubCo? France)EuropeanCongressontheRecyclingofUsedOils(2nd 1980 Paris? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Science? Substores-UnknownASINs-55? Subjects-Engineering-Chemical-General? Subjects-Engineering-Chemical-Petrochemical? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-Petrochemical? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? 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Subjects-Professional&Technical-Engineering-General Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Salt Affected Soils And Crop Production A Modern Synthesis Agrobios? P. Lal? B. R. Chippa? Arvind, M.D. Kumar? Agrobios? P.Lal? B.R.Chippa? Arvind,M.D.Kumar? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Science? Subjects-Outdoors&Nature-Environment-Ecology? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Science-General Subjects-Science-Nature&Ecology-Environment-Ecology? Subjects-Science-AgriculturalSciences-SoilScience? Subjects-Science-AgriculturalSciences-General? Physical Modelling in Geotechnics Proceedings of the International Conference Icpgm '02, St. John'S, Newfoundland, Canada, 10-12 July 2002 Aa Balkema? R. Phillips? P. J. Guo? R. Popescu? AaBalkema? R.Phillips? P.J.Guo? 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PaulVlase? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-55? Subjects-Engineering-Civil-Hydrology? Subjects-Engineering-Civil-Environmental-Hydrology? Subjects-Engineering-Civil-Environmental-WaterQuality&Treatment? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Hydraulics? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Hydrology? Subjects-Professional&Technical-Engineering-Civil-Environmental-Hydrology? Subjects-Professional&Technical-Engineering-Civil-Environmental-WaterQuality&Treatment? Subjects-Professional&Technical-Engineering-Mechanical-Hydraulics? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Geology-Hydrology? Subjects-Science-General Subjects-Science-Nature&Ecology-Environment-WaterSupply? Environmental Geotechnics Proceedings of the Fourth International Congress on Environmental Geotechnics (4th Iceg)/Rio De Janerio/Brazil/11-15 August 2002 Aa Balkema? International Congress on Environmental Geotechnics 2002 Rio De janei? Luiz Guilherme De Mello? Marcio Almeida? Luiz Guilherme De Mello? AaBalkema? InternationalCongressonEnvironmentalGeotechnics2002RioDejanei? LuizGuilhermeDeMello? MarcioAlmeida? LuizGuilhermeDeMello? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-Outdoors&Nature-Ecology-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-General Subjects-Science-Nature&Ecology-General? Advances in Concurrent Engineering Proceedings of the 9th Ispe International Conference on Concurrent Engineering, Cranfield, United Kingdom, 27-31 July 2002 Aa Balkema? Ricardo Jardim-Goncalves? Rajkumar Roy? Adolfo Steiger-Garcao? AaBalkema? RicardoJardim-Goncalves? RajkumarRoy? AdolfoSteiger-Garcao? ユーズドブック(洋書)-Engineering Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Seismogenic Process Monitoring Aa Balkema? H. Ogasawara? AaBalkema? H.Ogasawara? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Seismology? Subjects-Science-EarthSciences-Earthquakes&Volcanoes? Subjects-Science-EarthSciences-Geology-Volcanology? Subjects-Science-EarthSciences-Seismology? Subjects-Science-General Medicinal Plant Cultivation A Scientific Approach Including Processing And Financial Guidelines Agrobios? S. S. Purohit? S. P. Vyas.? Agrobios? S.S.Purohit? S.P.Vyas.? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Reference? ユーズドブック(洋書)-Science? Subjects-Outdoors&Nature-Flora-General? Subjects-Reference-General? Subjects-Science-General Subjects-Science-Nature&Ecology-Plants-General? Subjects-Science-AgriculturalSciences-General? High Dimensional Probability (Progress in Probability) Birkhauser? Ernst Eberlein? Marjorie G. Hahn? Michel Talagrand? Birkhauser? ErnstEberlein? MarjorieG.Hahn? MichelTalagrand? ユーズドブック(洋書)-Science? Substores-UnknownASINs-66? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-Probability&Statistics? Phase Equilbria and Phase Diagrams of Electrolytes (Chemistry Data Series) Scholium Intl? Dieter Behrens? Reiner Eckermann? ScholiumIntl? DieterBehrens? ReinerEckermann? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-53? Subjects-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-Chemistry-Physical&Theoretical-Electrochemistry? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Geotechnical and Geoenvironmental Engineering in Arid Lands Proceedings of the Second International Conference on Geotechnical and Geoenvironmental Engineering in Arid Lands, Riyadh, Saudi Arabia, 6-9 October (Developments in Arid Regions) Aa Balkema? Saudi Arabia) International Conference on Geotechnical and Geoenvironmental Engineering in Arid Lands (2nd 2002 Riyadh? Hussain A. S. Alawaji? AaBalkema? SaudiArabia)InternationalConferenceonGeotechnicalandGeoenvironmentalEngineeringinAridLands(2nd 2002 Riyadh? HussainA.S.Alawaji? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Geotechnical? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Geotechnical? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Science-General Vapor-Liquid Equilibrium Data Collection Organic Hydroxy Compounds Alcohols and Phenols Dechema? Jurgen Gmehling? U. Onken? W. Arlt? Dechema? JurgenGmehling? U.Onken? W.Arlt? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-53? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Science-General Defining and Assessing Adverse Environmental Impact from Power Palnt Impingement and Entrainment of Aquatic Organisms Impingement and Entrainment of Aquatic Organisms Aa Balkema? Douglas A. Dixon? John A. Veil? J. Wisniewski? AaBalkema? DouglasA.Dixon? JohnA.Veil? J.Wisniewski? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-55? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Groundwater? Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Groundwater? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Heats of Mixing Data Collection Supplements 2 Dechema? C. Christensen? J. Gmehling? P. Rasmussen? U. Weidlich? Holderbaum T.? Dechema? C.Christensen? J.Gmehling? P.Rasmussen? U.Weidlich? HolderbaumT.? Substores-UnknownASINs-53? Subjects-Science-General Electrolyte Data Collection Conductivities, Transference Numbers, and Limiting Lonic Conductivities of Methanol (Chemistry Data Series, V. 12.) Dechema? Josef Barthel? R. Neueder? R. Meier? Dechema? JosefBarthel? R.Neueder? R.Meier? Substores-UnknownASINs-53? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-General Subjects-Science-General 洋書